A Man Called Horse 1970

As English aristocrat John Morgan (played by) finds himself in the unlikeliest of circumstances - captured, enslaved, and reduced to a mere animal among a Native American tribe - he undergoes a profound transformation. Initially treated with disdain and hostility, Morgan gradually earns the respect and admiration of his captors through his willingness to immerse himself in their culture.

A crucial factor in this metamorphosis is the guidance of Batise, the tribe’s half-breed fool who had previously attempted escape but was rendered powerless by being hamstrung behind both knees. As Morgan navigates the complexities of Sioux customs and traditions, he comes to appreciate the rich cultural heritage of his captors.

In a bold move, Morgan deliberately sets aside his aristocratic sensibilities and kills two warriors from a neighboring Shoshone tribe, thereby earning the status of warrior among his adoptive people. This momentous decision is followed by a proposal of marriage, where Morgan offers a bride-price in the form of horses taken in battle, and undergoes the painful and initiatory rites of passage.

As he assumes the Sioux name “Shunkawakan” or “Horse”, Morgan’s perspective on life and his place within it begins to shift dramatically. His growing understanding of the tribe is exemplified when he turns on Batise, whose limited comprehension of the Sioux people has led him to view death solely as a means of escape. This moment marks a turning point in Morgan’s evolution, as he becomes increasingly invested in the lives and struggles of his adopted family.

Morgan’s newfound status as a respected member of the tribe is solidified through his instrumental role in fending off an attack by the Shoshone enemy. As the tribe’s leader emerges, Morgan has transcended his initial circumstances to become a true son of the Sioux people, his English aristocracy giving way to a profound connection with the land and its inhabitants.