A Man Called Horse 1970

In 1825, English hunter John Morgan is torn from his privileged existence and forced into servitude by a Sioux tribe, where he toils alongside fellow captive Batise. Through grit and determination, Morgan learns the native tongue and earns respect in battle, gradually shedding his aristocratic identity to become one with the proud Sioux nation.

In 1825, English hunter John Morgan is torn from his privileged existence and forced into servitude by a Sioux tribe, where he toils alongside fellow captive Batise. Through grit and determination, Morgan learns the native tongue and earns respect in battle, gradually shedding his aristocratic identity to become one with the proud Sioux nation.

Does A Man Called Horse have end credit scenes?

No!

A Man Called Horse does not have end credit scenes.

Ratings


Metacritic

46

Metascore

6.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

64

%

User Score

Movie Quiz


A Man Called Horse Quiz: Test your knowledge on the film 'A Man Called Horse' and its remarkable themes of transformation and cultural integration.

Who plays the role of John Morgan in 'A Man Called Horse'?

Plot Summary

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As the English aristocrat John Morgan finds himself thrust into the most unexpected of situations—being captured, enslaved, and relegated to a mere beast among a Native American tribe—he experiences a truly transformative journey. At first, Morgan encounters hostility and disdain, yet through his willingness to immerse himself in the local culture, he gradually earns the respect and admiration of his captors.

Central to this metamorphosis is the influence of Batise, the tribe’s half-breed fool, who, having made a previous escape attempt, now finds himself powerless after being hamstrung behind both knees. As Morgan delves into the intricacies of Sioux customs and traditions, he begins to appreciate the vibrant cultural legacy of his captors, discovering a world rich with meaning and significance.

In a striking act of bravery, Morgan casts aside his aristocratic upbringing and engages in battle against two warriors from a rival Shoshone tribe, successfully slaying them. This bold decision earns him the honor and title of a warrior among his newfound family. Following this watershed moment, he proposes marriage to one of the tribe’s women, offering a bride-price in the form of horses acquired through conquest, and bravely undergoes the painful initiatory rites that confirm his commitment.

As he embraces the Sioux name “Shunkawakan” or “Horse,” Morgan’s worldview starts to shift dramatically. His growing comprehension of the tribe’s values is underscored when he confronts Batise, whose limited understanding of Sioux culture has led him to see death merely as an escape route. This confrontation marks a significant turning point in Morgan’s evolution, as he becomes deeply invested in the lives and struggles of his adoptive kin.

Morgan solidifies his newfound status during a crucial moment, playing a pivotal role in defending the tribe against an attack from the Shoshone enemy. As he stands alongside his tribe, Morgan transcends his original predicament, truly becoming a son of the Sioux people. His English aristocracy gives way to a profound bond with the land and its inhabitants, illustrating the deep connections that can arise when one opens their heart to understanding and embracing new cultures.

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