Angels & Demons 2009

The Catholic Church finds itself in a state of deep mourning following the unexpected death of Pope Pius XVI. As the Vatican prepares for the papal conclave to elect his successor, Father Patrick McKenna, the Camerlengo, temporarily assumes control during this period of vacancy. Meanwhile, at CERN, two scientists, Father Silvano Bentivoglio and Dr. Vittoria Vetra, have been conducting groundbreaking experiments involving antimatter, producing three canisters that could change the very fabric of science itself. However, their progress is tragically interrupted when Vetra discovers Silvano has been murdered and one of the canisters is missing.

The situation escalates when a man claiming to represent the Illuminati kidnaps four favored cardinals, issuing a chilling ultimatum to the Vatican. His threat is clear: he will eliminate one cardinal every hour, leading up to a catastrophic explosion of the stolen antimatter hidden somewhere within the city at midnight. The stakes are incredibly high, and fear envelops Vatican City.

To assist in deciphering this complex crisis, Claudio Vicenzi brings in American symbologist Professor Robert Langdon. Given his previous experiences with the Priory of Sion, (as seen in The Da Vinci Code), Langdon quickly realizes that the abducted cardinals will be sacrificed on the four altars of the “Path of Illumination,” which represent the classical elements. With the urgency intensifying, McKenna grants Langdon access to the Vatican Secret Archives, allowing him to conduct crucial research, even against the wishes of Commander Richter, the head of the Swiss Guard.

Through their investigations, Langdon and Dr. Vetra come across Galileo Galilei’s banned book, searching for clues to locate the first altar. Their initial assumption directs them to the Pantheon, but they soon uncover that it is actually located in the Chigi Chapel. Upon their hasty arrival, accompanied by Ernesto Olivetti and Claudio Vincenzi from the Gendarmerie, they arrive too late to save Cardinal Ebner, who has been tragically suffocated, marked with the ominous symbol of Earth.

As they follow a lead from a Bernini statue at the Chigi Chapel, Langdon soon discovers the next altar is another Bernini piece situated in St. Peter’s Square. However, they find Cardinal Lamassé gravely injured, his lungs punctured and branded with the symbol of Air. A cryptic note left on his body hints at a conspiracy: Pius XVI may not have succumbed to natural causes but rather been murdered to silence him—a notion that is later reinforced when McKenna and Vetra inspect the Pope’s body in the Vatican necropolis.

Taking their investigation further into the Archives, Langdon, Olivetti, and Vincenzi identify the Santa Maria Della Vittoria as the next altar of Fire. Tragically, they cannot save Cardinal Guidera, who meets a horrific fate, burned alive, branded with the mark of Fire. The assassin strikes again, leaving only Langdon alive to recount the horrors.

Consulting a map of Rome leads Langdon to identify the final altar at Piazza Navona, marked by the Four Rivers sculpture. Rushing to the scene, they find the assassin trying to drown Cardinal Baggia, who is branded with the emblem of Water. Thankfully, aided by passersby, Langdon manages to rescue Baggia as the assassin kills the police officers escorting them.

In a twist, Richter takes Dr. Silvano’s journals, leading Vetra to believe he is involved in a larger conspiracy. Langdon, Vetra, and the police storm Castel Sant’Angelo, where they uncover the assassin’s hideout, revealing the four brands used on the cardinals, with a fifth brand intended for McKenna himself. The assassin confronts them but chooses to allow them to live, cryptically warning them of the “men of God” who hired him, before gets caught in an explosive fate of his own.

In a climactic sequence, a canister of antimatter sits destined to detonate within Saint Peter’s tomb. Discovering it’s icy temperature has drained the battery too soon, McKenna, being a skilled helicopter pilot, takes a perilous ride into the sky with the canister, ejecting moments before the antimatter detonates. A blinding flash lights up Vatican City, but miraculously, no lives are lost, and the church is preserved, casting McKenna as a hero anticipated to be ushered into the papacy.

Upon retrieving Silvano’s journals, Langdon and Vetra stumble upon shocking revelations of McKenna’s ulterior motives as the architect behind the chaos—hiding secret cameras to surveil the Pope for the clandestine goal of merging religion with science via the antimatter presentation, which he calculated would instigate conflict between them and needed to be sown. As McKenna is unveiled during the papal conclave, he sees no way out and ultimately chooses self-immolation, ending his sinister plans.

In the aftermath, Cardinal Baggia rises to prominence, taking the papacy as Pope Luke, symbolically marrying the realms of faith and science. Unbeknownst to the masses, McKenna’s death is framed as an accident, garnering him unwarranted calls for sainthood. Cardinal Strauss, the new Pope’s assistant, entrusts Galileo’s writings to Langdon for safe return. As Pope Luke steps onto the balcony to connect with the world below, he exchanges a grateful smile with both Langdon and Vetra, sharing a poignant moment before delivering his first Urbi et Orbi blessing.