In this visually stunning and gripping biopic, a renowned journalist's perilous journey into the heart of Angola's civil war is brought to life through bold animation and gritty archival footage. As Kapuściński faces danger head-on, the film powerfully conveys the chaos and urgency of conflict, blurring the lines between reality and animation in a riveting exploration of human resilience.
Does Another Day of Life have end credit scenes?
No!
Another Day of Life does not have end credit scenes.
Daniel Flynn
Queiroz
Jakub Kamienski
Luis Alberto, Nelson, Daddy
Kerry Shale
Ryszard Kapuscinski
Miroslaw Haniszewski
Ryszard Kapuscinski
Olga Boladz
Carlota, Dona Cartagina
Pawel Paczesny
Portuguese soldier, Carlos
Rafal Fudalej
Friedkin, Student
Tomasz Zietek
Farrusco
Vergil J. Smith
Queiroz, Luis Alberto, Nelson
Youssef Kerkour
Farrusco
78
Metascore
6.9
User Score
%
TOMATOMETER
0%
User Score
7.3 /10
IMDb Rating
74
%
User Score
In what year does 'Another Day of Life' take place?
Just like the readers of the literary original, the audience embarks on a profound journey alongside Ryszard Kapuscinski in 1975 Luanda, the vibrant capital of Angola. At this pivotal moment, the country faces intense decolonization efforts following the successful Carnation Revolution. In a frantic exodus, Portuguese nationals hurriedly abandon the more upscale districts of Luanda, fearful of an imminent assault on the city. Their lives are reduced to packing their belongings into wooden crates as businesses close and law enforcement gradually vanishes, leaving heaps of rubbish strewn across the streets of the capital.
Amidst this chaos, Kapuscinski diligently files daily reports to the Polish Press Agency, capturing the haunting emptiness of the city. As the final days prior to independence unfold, various factions of the Angolan liberation movement engage in a fierce and protracted power struggle, determining who will control the impending republic. After much contemplation, Kapuscinski makes a daring decision: he ventures to the front lines, risking his own life to become the first journalist in the world to provide daily updates on the tumultuous conflict raging around him.
On the front lines, he grapples with immense pressure, experiencing terror and isolation as he navigates the battleground that resembles a game of Russian roulette—where even a slight misstep or an inappropriate greeting can spell death. The Angolan Civil War ceases to be merely another story for Kapuscinski; it transforms into a deeply personal narrative, brought to life by the valiant figures he encounters, such as the fierce fighter Carlota and commander Farrusco, whose lives intertwine with his own during his harrowing journeys.
Caught in an internal struggle, Kapuscinski finds himself torn between being a passive observer and the overwhelming need to engage with the human stories unfolding around him. His heart brims with compassion and empathy, compelling him to share the tales of those whose lives have been irrevocably altered by this conflict. This quest leads him to deeply interrogate the role of a war correspondent and the thin line between journalistic neutrality and active involvement. As he endeavors to reveal the authentic narrative of Angola, Kapuscinski experiences a transformative rebirth as both a person and a writer.
Mixing dynamic animation with intense action sequences, Another Day of Life masterfully weaves in documentary-style segments that allow viewers to reconnect with the characters 40 years after these historical events. This unique approach adds layers of depth and authenticity, enriching the animated world and making the storytelling all the more compelling.
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