Bob Roberts 1992

In the scorching summer of 1990, Pennsylvania becomes the focal point of a heated senatorial battle between Brickley Paiste, the incumbent Democrat, and Bob Roberts, a conservative Republican who happens to be a folk singer. Through the lens of Terry Manchester, a British documentary filmmaker, viewers get an unsparing look at Roberts’ campaign as he energetically tours the state. The camera captures every detail, revealing his performances—songs and speeches that blend traditional values with a spirit of laissez-faire capitalism. This mix invokes a sense of nostalgia for the 1960s, even while starkly contrasting its foundational ideals.

As the campaign progresses, Manchester’s footage is enriched by candid commentary from figures like Kelly Noble, an anchor on television, and Bugs Raplin—an investigative journalist filled with convictions. Paiste holds firm in his belief that Roberts is a shrewd manipulator, potentially connected to factions like the National Security Council, the CIA, and the military-industrial complex. At the same time, Raplin sees a chance to topple Roberts by exposing his anti-drug charity, Broken Dove, as a veiled operation linked to a CIA drug trafficking scheme, further fueled by allegations against Lukas Hart III.

The narrative thickens as Paiste becomes embroiled in scandal; a young woman is seen leaving his vehicle. Although he claims she is merely a friend of his granddaughter, the whispers of controversy grow louder. The Roberts campaign, too, faces turbulence as Raplin’s claims gain momentum, leading to a subpoena for Hart III, suspected of misdirecting housing loans for illicit drug activities. Through Manchester’s documentary, we witness the harsh realities of American politics—a realm where ideals clash starkly with opportunistic behavior, and the fragile boundaries between truth and deceit are constantly crossed.

As election day approaches, the tension peaks when Roberts gets invited to perform on a famous sketch comedy show. In a surprising twist, he opts to replace his planned song with a piece that serves more as a covert campaign pitch, igniting fierce discussions among the show’s crew and resulting in a dramatic on-air interruption. Amidst the fracas, Roberts faces a shocking incident when an would-be assassin targets him, leaving him purportedly injured. Initial blame falls on Raplin, a nuisance to the campaign, but investigators soon realize his physical condition prevents him from being the shooter. Raplin asserts that no bullet ever struck Roberts, merely landing safely in the ground, leading to widespread skepticism among onlookers.

Despite the surrounding chaos, the failed assassination forges an unexpected bond of support for Roberts, propelling him to a substantial victory with 52% of the votes cast. His supporters dance in joy, celebrating what they perceive as a hard-fought win, unaware that his injuries may be greatly exaggerated. A fleeting glimpse of Roberts at his victory celebration shows him moving much more easily than one might expect of an injured candidate.

In a shocking moment, a young boy dashes to Manchester, exclaiming, “He’s dead! They got him!” The startling declaration sends ripples through the crowd. As Manchester delves deeper, he discovers that Raplin met his end at the hands of a right-wing extremist. This news, while tragic, sends waves of jubilation through Roberts’ ranks.

The film closes with a somber radio announcement revealing Raplin’s demise and a poignant shot of Manchester standing at the Jefferson Memorial, reflecting upon the inscription: “I have sworn upon the altar of God eternal hostility against every form of tyranny over the mind of man.” The haunting end emphasizes the dark currents that have shaped the unfolding drama, leaving viewers to ponder the morality and implications of the narrative.