In the cutthroat world of Authority Inc., new employee Orson (Jon Hamm) strives to be a force to be reckoned with, fueled by a rigid work schedule and disdain for his laid-back colleagues. But when he discovers an idyllic wood-paneled office, he finds solace and inspiration - a secret haven that unlocks his best work, earning praise from above, while leaving his coworkers puzzled and resentful.
Does Corner Office have end credit scenes?
No!
Corner Office does not have end credit scenes.
Veena Sood
Psychiatrist
Jon Hamm
Orson
Sarah Gadon
Alyssa
Allison Riley
Carol
Andy Thompson
Old Boss
Bill Marchant
Mitchell
Christopher Heyerdahl
Andrew
Conor Stinson O'Gorman
Nicholas
Danny Pudi
Rakesh
June B. Wilde
Meredith
Kimberley Shoniker
Shannon
Mark Dozlaw
Elevator Colleague
Shawn Macdonald
Bradley
47
Metascore
5.6
User Score
%
TOMATOMETER
0%
User Score
6.0 /10
IMDb Rating
What is Orson's main peculiarity compared to his coworkers?
Orson, portrayed by Jon Hamm, is undoubtedly a unique individual whose distinct traits are apparent to his coworkers. Unlike his colleagues, Orson possesses an uncanny ability to see through the hypocrisy and pretense that often define human interactions. This perplexity leaves him questioning why there is such a glaring mismatch between what people say and what they truly feel inside.
Having recently joined “The Authority Inc,” Orson yearns to reclaim the leadership role he once held at his previous job. However, he struggles with social dynamics, particularly the art of small talk, which he views as an exercise in futility. Nevertheless, his keen insights into workplace behaviors allow him to read his colleagues like open books.
For instance, he discerns that Mitchell (played by Bill Marchant) masks his fear of dismissal with superficial bravado. Carol (Allison Riley) exudes a superiority complex, while Shannon (Kimberley Shoniker) is the quintessential people-pleaser, forever seeking affirmation. Orson sits silently in a corner, observing their every word and gesture, aware of their underlying intentions.
Orson’s peculiarities extend to seemingly trivial aspects of life, such as disapproving of Rakesh’s (Danny Pudi) jacket color and the chaotic state of his desk. He voices a bizarre yet genuine concern that the towering files on Rakesh’s table might someday collapse on him—an anxiety that others dismiss as irrational.
A significant twist occurs when Orson discovers a magnificent room while en route to the restroom. This space perfectly aligns with his vision of an ideal workplace, and he begins inviting colleagues into it for crucial discussions, relishing the surge in productivity that the room ignites. Within this sanctuary, Orson feels empowered to tackle projects with an unparalleled focus.
However, his productivity becomes a point of contention when Andrew (Christopher Heyerdahl) confronts him after receiving complaints about Orson’s increasingly bizarre behavior. It turns out the opulent room is merely a figment of Orson’s imagination; what his colleagues perceive as him staring at a wall for hours is actually a manifestation of his disintegrating mental state.
Despite being encouraged to see a psychiatrist, he emerges with a clean bill of health, as the psychiatrist acknowledges his exceptional work ethic—though Orson faces a mandate to cease his discussions of the imaginary room. His coworkers grow frustrated with his continued presence, yet Andrew defends Orson, asserting that he poses no threat and has valuable contributions.
Orson’s unique perspective on life becomes more pronounced as he grapples with his mental health challenges and navigates the often absurd corporate environment. As department closure looms—a fear gleaned from overhearing arguments between Rakesh and Andrew—Orson secretly begins completing tasks for his colleagues and submitting the work in Andrew’s absence, all while under the delusion that he is generating his best work in the nonexistent room.
When his hidden efforts finally come to light, with Carol inadvertently witnessing him drop off a completed file, Andrew is left astonished by Orson’s capabilities. He expresses gratitude for Orson’s contributions, which saved the company from a crisis, yet Orson remains at a loss for words, still struggling to navigate human interactions.
As days pass, Orson grows weary of waiting on others, driven to request a permanent position in the imagined room. Despite Andrew’s reluctance, he begins to sense that Orson’s belief in the room reflects a broader understanding—one that could soon cost him his job. Orson’s fixation culminates in his dismissal when Alyssa (Sarah Gadon), the receptionist, questions his sanity.
In a poignant moment, after being fired, Orson evades security and rushes back to his fictitious haven, revealing the extent of his obsession. Through Orson’s journey, the narrative illuminates the often rigid expectations of corporate culture, where non-conformity is met with skepticism, while authentic ideas that challenge the status quo are often quashed.
“It is a stark reminder that those who dare to tread off the beaten path may find themselves labeled as the strange ones in a culture that values conformity above all.”
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