When a mysterious stranger (Ben Kingsley) arrives at their home, Paulina Escobar's (Sigourney Weaver) dark past is reignited, fueling a desperate quest for truth and justice. Holding him captive, she forces her husband (Stuart Wilson) to confront the horror that shattered her life, as the lines between reality and fantasy blur in this gripping drama of betrayal and redemption.
Does Death and the Maiden have end credit scenes?
No!
Death and the Maiden does not have end credit scenes.
72
Metascore
7.4
User Score
%
TOMATOMETER
0%
User Score
7.2 /10
IMDb Rating
71
%
User Score
Who is the main female protagonist in the film?
Paulina Escobar, a devoted housewife in an unnamed South American country—implicitly recognized as Chile—is married to the respected lawyer, Gerardo. In an unexpected turn of events, a storm compels Gerardo to share a ride home with a captivating stranger, Dr. Miranda, just as a power outage strikes their home. Paulina becomes convinced that Miranda is linked to the old regime responsible for her brutal past, believing he tortured and sexually assaulted her while she was blindfolded. Determined to uncover the truth, she takes him hostage.
Despite the insistence from her husband, Gerardo, and Miranda that he is innocent, Paulina remains steadfast in her belief of his guilt. She forces Gerardo into the role of Miranda’s “attorney” for a makeshift trial she orchestrates. As tensions escalate, Miranda conspires with Gerardo to produce a false confession, believing this would be a means to appease Paulina. However, when presented with the fabricated confession, Paulina is furious, deeming it inadequate and asserting that Miranda lacks remorse, escalating her threats against him.
In a desperate bid for survival, Miranda seizes the opportunity to grab Paulina’s gun, turning the tables on her as he threatens her life. Just as he makes his move toward the exit, the power returns, enabling Paulina to regain the upper hand.
In a final attempt to save himself, Miranda requests Gerardo to contact the Spanish medical school where he claims to have been during the time of Paulina’s trauma. Paulina guides him toward the cliff after blindfolding him, while Gerardo reaches out to the school. To his shock, a colleague seems to corroborate Miranda’s alibi, leading Gerardo to rush back to Paulina, now convinced of Miranda’s innocence. Yet, Paulina is resolute in her disbelief, asserting that doctors of that era concocted alibis to protect their identities.
In a startling twist, Miranda confesses that he truly was the doctor, that he relished inflicting pain on Paulina, and expresses nostalgia over the downfall of the old regime. Furious, Gerardo contemplates throwing Miranda off the cliff but struggles with the moral weight of taking a life. Paulina appears to accept the confession, leading both her and Gerardo to leave Miranda precariously overlooking the abyss.
The film concludes with a haunting scene where Paulina and Gerardo attend a concert, mirroring the film’s opening. There, they lock eyes with Miranda, who is accompanied by his family, creating an atmosphere charged with unspoken pain and unresolved tensions. As the camera captures this uncomfortable reunion, it also reveals Gerardo’s gaze shifting towards the balcony where Miranda stands, leaving the audience pondering the unresolved scars of the past.
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