Grand Canyon 1991

Box Office

$7.7M

Runtime

134 min

Language(s)

English

English

As narrated by Robert Redford, this thought-provoking documentary embarks on a thrilling rafting journey through the awe-inspiring Grand Canyon, juxtaposing modern America's water consumption habits against the ancient practices of Native American communities. A call to action emerges as filmmakers explore ways for Americans to foster a harmonious relationship with their natural water sources.

As narrated by Robert Redford, this thought-provoking documentary embarks on a thrilling rafting journey through the awe-inspiring Grand Canyon, juxtaposing modern America's water consumption habits against the ancient practices of Native American communities. A call to action emerges as filmmakers explore ways for Americans to foster a harmonious relationship with their natural water sources.

Does Grand Canyon have end credit scenes?

No!

Grand Canyon does not have end credit scenes.

Ratings


Metacritic

64

Metascore

7.6

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

6.8 /10

IMDb Rating

TMDB

%

User Score

Movie Quiz


Grand Canyon Movie Quiz: Test your knowledge on the film 'Grand Canyon' from 1991, exploring its characters, themes, and pivotal moments.

What is the main event Mack is attending at the beginning of the movie?

Plot Summary


As Mack (Kline) settles in for a Lakers game, his gaze drifts from the court to the captivating women surrounding him. The post-game buzz lingers as he parts ways with Davis (Martin), who’s delivering an impassioned lecture on the human tendency to flee from our deepest fears. With the evening’s excitement still coursing through his veins, Mack finds himself stuck in a dicey neighborhood after his car stalls and phone dies. Seeking refuge, he stumbles upon a local store and, with the help of a tow truck driver named Simon (Glover), narrowly avoids becoming an unwitting participant in a sinister scheme. As they successfully navigate the treacherous situation, the camera shifts to a helicopter hovering above a modest house in a impoverished neighborhood, where Deborah (Lifford) tends to her son Otis as he watches the recorded Lakers game on TV.

Later that night, Mack and Simon take a break from reliving their harrowing experience over soft drinks, forging an unlikely bond as they share stories and get to know each other. It’s during this intimate moment that Simon encourages Mack to treat himself to a well-deserved getaway at the Grand Canyon. The respite is short-lived, however, as Davis becomes increasingly agitated upon reviewing footage from his film project, only to discover a crucial scene missing.

The narrative takes a dramatic turn as Mack and Claire (McDonnell) drop off their son for a month-long stay at a camp catering specifically to the deaf. Meanwhile, Davis finds himself facing a different kind of challenge when he’s confronted by a mugger and left with a gunshot wound in his leg, subsequently undergoing surgery.

The story then jumps to Claire, who stumbles upon an abandoned infant during her morning jog and, inexplicably, decides not to report the discovery. Back at the office, Mack appears to be a successful lawyer, with his secretary Dee (Parker) exhibiting flirtatious tendencies that leave his response ambiguous.

As Simon tends to his family obligations by grocery shopping and sharing a tender moment with his daughter via text message, the tension escalates as Mom is threatened by a drive-by shooting.

As Davis emerges from his hospital bed, bathed in the golden light of dawn, he proclaims with conviction: “I have beheld the radiant truth.” Meanwhile, Dee and Claire embark on a journey of discovery, delving into the stark realities of poverty that surrounds them. The morning’s somber atmosphere is suddenly shattered by an earthquake, which strikes without warning, leaving their elderly neighbor reeling from a heart attack. Mack springs into action, attempting to resuscitate their frail neighbor, as Dee and Claire rush to their aid.

As night falls, Mack’s subconscious takes him on a surreal journey, where he finds himself floating above the cityscape, accompanied by Simon and the enigmatic Dee, whose ethereal presence is tinged with an air of vulnerability. In this dreamscape, Claire awakens to find herself alone in her empty home, only to be drawn to the train station, where she catches a fleeting glimpse of her son and Mack disappearing into the distance. Her heart heavy with longing, she pursues the echoes of her child’s voice until reality finally intrudes.

The next day, Davis is released from hospital care, and Mack shares Claire’s desire to adopt the baby, which sparks a heated debate between them. As they make their way back home, Davis confides in Mack about his life-altering epiphany during his hospital stay, while Mack reveals his plans to help Jane transition into a better neighborhood.

The following day, Davis imparts his vision to Claire, expressing a newfound desire to leave the movie industry behind and dedicate himself to doing good. Claire shares their adoption struggles and the marital tensions that have arisen as a result. Simon, meanwhile, confides in Deborah about Mack’s offer, which she accepts with gratitude.

Later, Mack interrupts Dee and Jane’s lunch date, attempting to set them up on a second encounter. As fate would have it, Jane and Simon embark on their first date, while Dee begins stalking Mack’s home. In the aftermath of these events, Deborah relocates to her new neighborhood, only to have Otis react poorly to his new surroundings, ultimately landing in police custody and being returned to his apartment. Otis becomes convinced that his arrest was racially motivated.

Dee, disillusioned with her life choices, resigns from her position. The audience is subsequently privy to the revelation that Dee had a brief encounter with Mack. As the story unfolds, each character navigates their individual journey, slowly moving forward in their lives.

In the final act, Simon offers his gratitude to Mack for setting him up with Jane, and the film concludes with Simon transporting everyone in a van to the majestic Grand Canyon, where they stand poised at the threshold of new beginnings.

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