In this hilarious romp, Groucho Marx stars as Quincy Adams Wagstaff, a new university president trying to boost school spirit. His son Frank (Zeppo Marx) wants him to improve their football team by recruiting pro players, but things go awry when the wrong athletes arrive on campus, turning the student body into a raucous gang of rowdies.
Does Horse Feathers have end credit scenes?
No!
Horse Feathers does not have end credit scenes.
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83
Metascore
7.0
User Score
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TOMATOMETER
0%
User Score
68
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User Score
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What is the name of the president of Huxley College in 'Horse Feathers'?
Get the full story of Horse Feathers with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
As the cinematic narrative unfolds, viewers are drawn into the exhilarating realm of collegiate football, where the fictional Darwin and Huxley Colleges are set against each other in a gripping contest. Leading the charge for Huxley College is Professor Quincy Adams Wagstaff, portrayed by Groucho Marx, who has just taken the reins as president. Urged by his son Frank, he decides to adopt an unconventional strategy to revive their floundering football team. Among the most unexpected recruits are Baravelli and Pinky, two “icemen” with a peculiar talent for delivering both ice and illicit liquor from a clandestine speakeasy.
Through a whirlwind of misadventures and blunders, this quirky duo finds themselves inadvertently enlisted to play for Huxley, instead of the intended professional athletes. As tension escalates, the film reaches its cinematic apex, featuring a moment celebrated as one of the most iconic in football movie history, as noted by ESPN. During this crucial sequence, the four main characters cleverly collaborate to execute a brilliant hidden ball trick. This culminates in Pinky’s (played by Zeppo Marx) exhilarating ride in a horse-drawn garbage wagon, transformed into a magnificent chariot. This unforgettable scene was famously immortalized on the cover of Time magazine in 1932, securing its indelible mark in the chronicles of cinematic history.
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