
Facing unexpected retirement, a seasoned advertising executive, Dan Foreman, finds his career upended by a younger colleague. While adjusting to life after work, he also deals with his wife's pregnancy and witnesses his daughter's budding romance with her new boss. The film explores themes of aging, family, and finding purpose in unexpected places, offering a humorous and poignant look at a man navigating significant life changes.
Does In Good Company have end credit scenes?
No!
In Good Company does not have end credit scenes. You can leave when the credits roll.
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66
Metascore
5.9
User Score
83%
TOMATOMETER
54%
User Score
6.5 /10
IMDb Rating
60
%
User Score
Challenge your knowledge of In Good Company with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who plays the role of Dan Foreman in 'In Good Company'?
Dennis Quaid
Topher Grace
Malcolm McDowell
Ty Burrell
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Read the complete plot summary of In Good Company, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Dan Foreman, portrayed by Dennis Quaid, is a seasoned 51-year-old advertising executive leading the sales team at Sports America, a prominent sports magazine. With a happy family life that includes a loving wife and two daughters, Dan’s world is turned upside down when the magazine is acquired by Globecom, a vast international corporation operated by the elusive billionaire Teddy K, played by Malcolm McDowell.
Having dedicated 20 years to the magazine, Dan values the importance of personal relationships and aims to foster them rather than resort to aggressive sales tactics. He passionately believes in the magazine’s advertising potential, leaving behind a copy as his final pitch to prospective clients like Eugene, played by Philip Baker Hall, with whom he is building a meaningful connection.
The new regime is led by Mark Steckle, played by Clark Gregg, who is tasked with running marketing at Sports America. In a move that shakes the foundation of the magazine, Mark chooses the young and ambitious Carter Duryea, embodied by Topher Grace, to spearhead the advertisement division. Mark’s agenda is clear: to streamline operations by cutting costs.
As Dan grapples with the emotional toll of having to let go of trusted colleagues, including loyal staff like Enrique, Lou, and Morty, he finds himself demoted to Carter’s subordinate. The ambitious Carter, only 26 and a recent business school graduate, adheres to the corporate philosophy of synergy, merging the magazine’s operations with other Globecom products, such as “Krispity Krunch.” His inexperience, however, raises concerns as he seeks to boost sales through strategies that leave Dan questioning their effectiveness.
The personal lives of both men are riddled with challenges. Dan is balancing the demands of fatherhood, with his 16-year-old daughter Jana and Alex, his 18-year-old daughter, played by Scarlett Johansson, who is starting college while Dan’s wife is expecting another child. Meanwhile, Carter is coping with a recent divorce, leaving him feeling isolated and immersing himself into work as a distraction.
A turning point arrives when Carter invites himself to dinner at Dan’s home and meets Alex, leading to an unexpected romantic spark between the two. As their secret relationship develops, it provides a temporary escape from their respective loneliness but also complicates matters when Dan learns about their affair. An intense confrontation ensues when Dan discovers their relationship, causing Alex to end things with Carter, stirring resentment and heartbreak on both sides.
However, when confronted with a critical client situation that requires Dan’s personal touch—problems triggered by Carter’s corporate strategies—Carter realizes he needs Dan’s wisdom to navigate the crisis. The situation culminates in a showdown with Mark when he presses Carter to terminate Dan, but Carter defends Dan’s integrity and hard work passionately.
Ultimately, the pair manages to secure a significant ad purchase from Eugene, showcasing their successful partnership. Following a major corporate restructuring, Sports America undergoes further changes that lead to Carter’s exit while Dan regains his previous position. In a gesture of camaraderie, Dan offers Carter a role in his new team, yet Carter declines, opting instead to take time for himself to reassess his future.
As the story winds down, Dan’s family welcomes a new baby girl into their lives, and in a chance encounter, Carter runs into Alex, marking a bittersweet moment of closure as Dan calls to share the joyful news. This journey navigates the complexities of relationships, ambition, and the pursuit of what truly matters in both personal and professional realms.
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