Last Knights 2015

Bartok, portrayed by Morgan Freeman, is the watchful guardian of his estate in a realm that is a vassal to a dominant empire. He is safeguarded by Commander Raiden, played by Clive Owen, and his elite group of knights, who have dedicated their lives to the defense of the Bartok lineage. To Raiden’s astonishment, Bartok names him as his heir and presents him with a sword—an embodiment of trust and responsibility. The loyalty of Raiden and his men is unwavering, having been shaped through years of countless battles to protect Bartok’s estate from various external threats.

However, Bartok is soon summoned to the Capital by the Emperor, meeting with minister Geza Mott, portrayed by Aksel Hennie. This meeting is fraught with tension, as Bartok is well aware that Geza’s demand for a bribe is veiled as a customary gift to maintain their relationship. Raiden counsels Bartok to comply, yet Bartok stands firm, refusing to entertain Geza’s corrupt practices, fully aware that such indulgences will only lead to greater losses and suffering for his people. ‘If I indulge Geza,’ Bartok insists, ‘I will eventually lose half my estate and would have to torture my people to support the demands of those above.’

Together, Bartok and Raiden travel to the Capital, but they soon face the cruelty of the empire. Geza, in a display of power, physically assaults Bartok for not meeting his bribe expectations, leading to a treasonous act when Bartok retaliates. This sparks a trial where Bartok voices his disdain for the degradation of honor in their society, arguing that while noblemen sacrifice for the empire, they are met with only humiliation. His ultimate crime, he claims, is not having killed Geza when he had the chance.

The Emperor, played by Peyman Moaadi, passes a death sentence on Bartok, compelling Raiden to carry out the execution under threat of doom for the Bartok clan. As they are ousted from their ancestral home, the estate is fragmented, and the brutal regime of Geza takes root, complete with his own twisted fortifications and an army meant to sustain his corrupt reign.

Months later, Raiden struggles with guilt and despair, having lost everything. Geza’s hold tightens, leaving Raiden a broken man. Geza’s violence against his own family, particularly his treatment of his daughter, Hannah, as indicated by their father Auguste’s powerless rage against Geza’s abuses, sets a stage for brewing vengeance within Raiden and his knights.

Seizing an opportunity, and through stealth and cunning, Raiden and his soldiers work clandestinely to infiltrate Geza’s fortress. They create networks and devise an escape plan, all while waiting for the ideal moment to strike back and reclaim their lost honor. With the assistance of Auguste, they manage to smuggle soldiers disguised within a mirror, leading to a fierce confrontation at Geza’s palace.

Raiden and his loyal knights face overwhelming odds, sacrificing themselves to avenge their fallen lord. After a series of intense confrontations, Raiden confronts Geza, ultimately avenging Bartok by slaying him. As the news of Geza’s death spreads beyond the palace walls, the populace rallies behind the notion of justice, complicating the Emperor’s position.

In a dramatic turn of events, the Emperor understands the necessity of restoring honor to the Bartok clan while remaining cautious of the widespread support for Raiden’s actions, leading to a precarious resolution. Ultimately, Raiden suggests that he alone should face execution for his role in Geza’s murder, a noble sacrifice aimed at protecting his people.

In a poignant final encounter, Raiden seeks forgiveness from Naomi, his estranged wife, expressing sorrow for the pain their separation has caused. He prepares to meet his fate, head lowered as the executioner approaches, leaving his final moments steeped in uncertainty as the screen fades to black, leaving audiences to ponder the cost of honor and the cycle of violence.