Little Ashes 2009

In 1920s Spain, where passion and politics collide, Salvador Dalí's avant-garde vision meets Federico García Lorca's fiery poetry. As they navigate the tumultuous landscape of artistic expression and personal desire, their intense bond is tested by fierce ambitions, friendships, and the heart-wrenching struggle between national pride and forbidden love.

In 1920s Spain, where passion and politics collide, Salvador Dalí's avant-garde vision meets Federico García Lorca's fiery poetry. As they navigate the tumultuous landscape of artistic expression and personal desire, their intense bond is tested by fierce ambitions, friendships, and the heart-wrenching struggle between national pride and forbidden love.

Does Little Ashes have end credit scenes?

No!

Little Ashes does not have end credit scenes.

Actors

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Ratings

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Metacritic

41

Metascore

7.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

59

%

User Score

Movie Quiz

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Plot Summary

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As the year 1922 commenced, Salvador Dalí (Robert Pattinson), an 18-year-old visionary, entered the dynamic world of Madrid’s Residencia de Estudiantes—a vibrant hub for Spain’s brightest intellectuals. This exceptional place, alive with creativity and curiosity, attracted not only Federico García Lorca (Javier Beltrán), a magnetic poet, but also Luis Buñuel (Matthew McNulty), an eager filmmaker. Together, the trio became the heart of Madrid’s most avant-garde artistic circle.

However, their intertwined lives were far from simple. Federico, unaware of the deep feelings of his close friend Magdalena (Marina Gatell), found himself captivated by Salvador’s fervent creativity. As their friendship blossomed into something more profound, Luis began to feel the strain of their escalating bond. In search of inspiration, he decided to leave Madrid behind and venture to Paris, seeking his own artistic path.

The arrival of summer marked a significant shift as Salvador and Federico left the bustling city for the serene coastal town of Cadaqués. Here, they relished the sun-soaked days at Dalí’s family residence. Within this sanctuary, Federico was warmly embraced by Salvador’s family, and their relationship blossomed into a profound emotional connection.

As their time in Cadaqués unfolded, the deepening bond between them seemed fated to face turmoil. Luis’s return to Madrid heightened the tension, making his discomfort evident as he witnessed the closeness developing between his friends. Overwhelmed by Federico’s passionate nature, Salvador felt the weight of their complex emotions and chose to escape to Paris, drawn to the allure of the city’s decadent lifestyle.

In Paris, engulfed by the opulence and exuberance of its high society, Salvador became enmeshed with Gala (Arly Jover), a married woman captivated by the world of celebrity. Upon his arrival in Paris, Federico was taken aback by Salvador’s transformation, realizing that his friend had changed drastically—both in personal life and creative outlook. As Salvador navigated this new, glamorous existence, the dynamics of their friendship would be put to the ultimate test.

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