In Woody Allen's nostalgic ode to Manhattan, Isaac Davis, a disenchanted TV writer, navigates the challenges of middle age after his wife's sudden departure. As he pines for his lost youth, Isaac's self-destructive tendencies lead him down a path of questionable relationships and existential crises, forcing him to reevaluate what truly matters in love, life, and the city that never sleeps.
Does Manhattan have end credit scenes?
No!
Manhattan does not have end credit scenes.
83
Metascore
8.4
User Score
%
TOMATOMETER
0%
User Score
7.8 /10
IMDb Rating
77
%
User Score
What iconic musical piece accompanies the opening montage of Manhattan?
The film commences with a captivating montage showcasing the vibrant life of Manhattan, all while George Gershwin’s iconic Rhapsody in Blue provides a stunning musical backdrop. At the center of this narrative is Isaac, played by Woody Allen, a 42-year-old television comedy writer who finds himself grappling with writer’s block as he attempts to craft a novel. Struggling to articulate his main character’s perspectives on the world around him, particularly the bustling essence of Manhattan and its eclectic inhabitants, Isaac’s journey begins.
During a dinner at Elaine’s restaurant, Isaac enjoys the company of his lively 17-year-old girlfriend, Tracy (Mariel Hemingway), along with their friends, Yale (Michael Murphy) and Emily (Anne Byrne). The evening unfolds with discussions revolving around themes such as luck, art, and courage. However, as Tracy steps away for a moment, the conversation shifts to her youthful age, arousing concerns among the adults at the table. Isaac reveals to his friends his distress over his ex-wife, Jill (Meryl Streep), who is penning a book about their turbulent marriage. This revelation weighs heavily on him, as it threatens to unveil intimate details of their relationship.
As the night progresses, the group strolls along the sidewalk, where Yale confides in Isaac about an affair he’s engaging in. Moreover, Isaac confronts Jill in a chance encounter, earnestly pleading with her not to publish her book, expressing worry for their young son, Willy, who is being raised by Jill and her new partner, Connie (Karen Ludwig).
In the intimacy of his apartment, Isaac shares heartfelt discussions with Tracy, who boldly professes her love for him, while Isaac remains hesitant, suggesting that she should explore more of life at her age instead of fixating solely on him. Their relationship deepens as they encounter Yale and his mistress, Mary (Diane Keaton), at an art exhibit. Here, spirited debates ignite between Isaac and Mary, both passionate about art and philosophy.
Life takes a turn for Isaac when he resigns from his television job, burdened by financial concerns involving alimony and child support. A subsequent chance encounter with Mary at a Museum of Modern Art fundraiser leads to a developing intimacy, culminating in a serene moment spent together under the dawn sky while watching the sun rise over the Queensboro Bridge.
Isaac’s emotional landscape becomes increasingly complex as he navigates his feelings for both Tracy and Mary. When Tracy informs him of a chance to pursue acting in London, he encourages her growth despite his own lingering attachment. Meanwhile, in parallel, Mary expresses anxiety over her affair with Yale, leading to an emotional entanglement that further complicates Isaac’s life.
As relationships intertwine and unravel, Isaac is forced to confront his past mistakes and the reality of his decisions. After a heartfelt journey filled with moments of joy, confusion, and self-discovery, Isaac ultimately reaches out to Tracy just before she departs for London. With urgency in his voice, he reveals his feelings, admitting he made a grave mistake and declaring his love. However, the timing is bittersweet, as Tracy reassures him of her return after six months, urging him to maintain faith for a possible reunion.
As the credits roll, the haunting melody of Embraceable You resonates, encapsulating the intricate dance of love and heartbreak that defines this poignant tale.
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