Mr. Mom

In a Detroit suburb, Jack Butler (played by) shares a life with his family: wife Caroline, and their children Alex, Kenny, and Megan. The early 1980s recession brings unexpected challenges as Jack, along with friends Larry and Stan, loses his engineering job at Ford Motor Company. With the sudden shift in responsibilities, Caroline re-enters the workforce, leveraging her college education and advertising experience to become a rising ad executive.

As Jack navigates the uncharted territory of childcare and household management, he finds himself struggling to balance daily errands. His initial struggles catch the attention of his neighbors, who offer support and camaraderie. Meanwhile, he develops a flirtatious connection with Joan, a neighbor and friend of Caroline's, which further complicates his already-rocky domestic life.

As Caroline's professional star continues to rise, she faces new challenges in the workplace. Her maternal instincts often clash with her role as a sophisticated executive, causing tension between her personal and professional lives. Her demanding boss, Ron Richardson, is determined to assert his dominance over her, but Caroline's unique perspective as a budget-conscious housewife ultimately proves invaluable during a crucial pitch meeting.

The client's president requests that she fly to Los Angeles to help shoot a commercial, further straining her already fragile work-life balance. Meanwhile, Jack's former employer extends an offer for him to interview for his old job, but his reputation has been tarnished by his former supervisor Jinx. Frustrated and disillusioned, Jack lectures the company on their questionable practices before storming out.

As tensions escalate between Jack and Caroline, Ron attempts to persuade her to leave Jack for a more lucrative arrangement with him. Joan continues to tempt Jack, further fueling his doubts about his marriage. After filming in Los Angeles, Caroline seeks relaxation in her hotel bathtub, only to have Ron sneak into the room with champagne. Back home, Jack's desperation grows as he tries to reach Caroline, but Ron answers the phone, leaving Jack to believe that his wife is having an affair.

In a bold move, Caroline rejects Ron and quits her job, refocusing on her family. The once-stable Butler household now teeters on the brink of collapse, with unresolved tensions threatening to destroy the very fabric of their lives.

The morning after a flurry of activity aimed at restoring domestic tranquility, the sounds of hammers and bug spray wafting through the air, Caroline (character name) makes an unexpected appearance, bringing with her the opportunity for Jack (character name) to rectify misunderstandings and rekindle their relationship. As they sit down to iron out their issues, Ron pays a visit, imploring Caroline to reconsider her decision to leave her agency and return to her old role, citing the client's insistence that only she can effectively manage their account. However, Caroline remains resolute in her desire for a change, convinced that a better job awaits and that this new chapter will allow her to reconnect with her loved ones.

Though initially hesitant, Ron ultimately agrees to offer Caroline a compromise: the option to work from home two days a week and a reduced workload, enabling her to strike a balance between her professional life and family obligations. Meanwhile, Jinx arrives on the scene, begging Jack to rejoin the agency's ranks. However, when Jinx's tactless behavior towards Jack's son reaches a boiling point, Jack takes matters into his own hands, delivering a swift punch that leaves Jinx reeling. Undeterred, Jack makes it clear that he will only return to work if Larry and Stan are willing to join him, citing the need for unity in their personal and professional lives. Reluctantly, Jinx accepts the conditions.

As the dust settles, the newly repaired television hums back to life, broadcasting the national commercial Caroline had a hand in producing - a potent reminder of her past accomplishments and the possibilities that lie ahead.