In this 80s comedy-drama, unemployed auto engineer Jack Keaton finds himself in uncharted territory when his wife lands a job before him, forcing them to switch roles. As Jack navigates the ups and downs of domestic duties and childcare, he encounters a series of hilarious misadventures, from supermarket showdowns to high-stakes poker games with stay-at-home moms.
Does Mr. Mom have end credit scenes?
No!
Mr. Mom does not have end credit scenes.
50
Metascore
6.6
User Score
%
TOMATOMETER
0%
User Score
Who plays the role of Jack Butler in 'Mr. Mom'?
In a suburban neighborhood of Detroit, Jack Butler (portrayed by Michael Keaton) lives a seemingly normal life with his loving wife, Caroline (played by Teri Garr), and their three children: Alex, Kenny, and Megan. However, the early 1980s recession introduces a torrent of unexpected challenges, as Jack and his friends Larry and Stan find themselves jobless after losing their engineering positions at Ford Motor Company. Faced with the sudden pressure of managing the household, Caroline bravely steps back into the workforce, utilizing her college education and advertising background to climb the corporate ladder as a promising ad executive.
As Jack embarks on the often overwhelming journey of childcare and running the household, he quickly finds himself entangled in the complexities of daily life. His initial difficulties draw the attention of supportive neighbors who rally around him, offering both camaraderie and assistance. In addition, he finds himself flirting with Joan, a friendly neighbor and acquaintance of Caroline’s, which adds further complications to an already strained domestic situation.
As Caroline’s career advances, she navigates the fine line between being a devoted mother and a high-powered executive. The tension escalates as her motherly instincts frequently clash with the cutthroat demands of her job, particularly as her boss, Ron Richardson, becomes increasingly dominant and controlling. Yet, Caroline’s unique insights as a budget-savvy homemaker provide her with a competitive edge during a critical pitch meeting that could potentially make or break her professional reputation.
When the client requests that Caroline travel to Los Angeles to assist in shooting a commercial, the strain on her already fragile balance between work and family life heightens. Meanwhile, Jack receives an unexpected opportunity to interview for his old job, but his past reputation is marred by his former supervisor Jinx, leaving him feeling frustrated and disillusioned. In a passionate outburst, Jack confronts the company’s questionable practices before storming out, only to find himself increasingly at odds with Caroline.
As tensions rise, Ron makes a bold attempt to entice Caroline into an illicit affair, while Joan’s charms further lead Jack to question his committed relationship with Caroline. After an exhausting trip to Los Angeles, Caroline seeks respite in her hotel bathtub, only to be surprised by Ron’s unexpected visit with champagne. Back home, Jack grows increasingly desperate to talk to Caroline, only to find Ron answering her phone, which ignites his fears of infidelity.
In a decisive act of reclaiming her autonomy, Caroline rejects Ron’s advances and resigns from her job, refocusing on what genuinely matters—her family. Yet, the Butler household teeters on the verge of collapse as unspoken tensions threaten their very foundation.
The morning after a whirlwind of attempts to restore harmony, the familiar sounds of hammers and bug spray fill the air when Caroline makes a surprise visit, giving Jack a chance to mend misunderstandings and revive their relationship. As they sit down to confront their issues, Ron shows up, imploring Caroline to reconsider her departure, claiming that the client insists only she can handle their account. However, Caroline stands firm in her belief that a more fulfilling job lies ahead and that this new beginning will help her reconnect with her loved ones.
Initially reluctant, Ron ultimately offers a compromise: Caroline will have the opportunity to work from home two days a week and benefit from a lighter workload, helping her find that much-needed balance between her career and family responsibilities. Meanwhile, Jinx approaches Jack with the hopes of coaxing him back to the agency, but when his uncouth behavior towards Jack’s son escalates, Jack responds with a righteous punch, sending Jinx reeling. Unyielding, Jack asserts that he will only return if his friends Larry and Stan join him, emphasizing their unity both at work and home. Reluctantly, Jinx acknowledges this condition.
As the chaos subsides, the once-inoperable television flickers back to life, showcasing the national commercial Caroline had a hand in creating—a powerful reminder of her accomplishments and the promising future that awaits.
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