In 1950s New York, bohemian couple Suze and Arthur's tranquil existence is shattered by the arrival of The Young Gents, a gang of rebellious leather-clad outsiders. As they're drawn into the thrill of this new world, Suze confronts her own desires, revealing a hidden longing for leather daddism, while Arthur's quest for self-discovery sparks a queer awakening.
Does Please Baby Please have end credit scenes?
No!
Please Baby Please does not have end credit scenes.
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65
Metascore
5.1
User Score
%
TOMATOMETER
0%
User Score
5.7 /10
IMDb Rating
58
%
User Score
Challenge your knowledge of Please Baby Please with an engaging quiz. Test your memory of the movie’s characters, plot twists, and unforgettable moments.
What violent event interrupts Arthur and Suze's evening at the beginning of the film?
Get the full story of Please Baby Please with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
In the gritty streets of Manhattan’s Lower East Side, a violent altercation unfolds as the Young Gents gang unleashes chaos on an unsuspecting couple, only stopping when Teddy steps in. The atmosphere hangs heavy with dread as Arthur (Harry Melling) and Suze (Andrea Riseborough) stand frozen, their hearts racing as the gang demands to know their whereabouts. With a shaky voice, Suze ultimately caves in, revealing their apartment number to the menacing group.
Later that night, Suze and Arthur invite friends Ida (Alisa Torres), Baker, and Les into their small apartment, where they relive the harrowing incident. Their friends, however, take a jab at Arthur’s struggle with societal expectations of masculinity, provoking a passionate outburst from him about the pressures he faces. The night grows intense as they discuss gender roles, with Suze expressing her desire to embody the rebellious essence of Stanley Kowalski.
After their friends leave, the couple cleans up, and the tension lingers in the air. Inspired by the moment, Suze begins to dance, enticing Arthur to join her in a sensual waltz. Their movements blend together, fueled by passion, until Suze playfully brandishes a bottle, drawing a hesitant response from Arthur. In an unexpected act of vulnerability, Suze kneels before Arthur, pleading for him to acknowledge her desires.
When Arthur steps outside to dispose of the trash, he stumbles upon a blood-spattered matchbook from The Blue Angel Club featuring Teddy’s face, swirling images of their last encounter in his mind. This discovery leads him to wander into the night, lost in thought.
Meanwhile, back inside, Suze senses a shift before Maureen (Demi Moore) calls out for help from the hallway. Ascending to her friend’s apartment, Suze learns that Maureen has crossed paths with Arthur but remains tight-lipped about the details. Amidst their exchange about the disillusionments of marriage, Billy appears, desperately seeking Maureen’s keys as he prepares to take her out. With an ominous tone, Maureen hands Suze a spare set, informing her that she’ll be heading to Europe and leaving Suze in charge of their apartment.
As the night draws on, Arthur finds himself entranced by Teddy at the Blue Angel Club, observing the reckless dynamics of the Young Gents. Flashes of laughter and flirtation fill the air until Joanne (Jaz Sinclair) attempts to draw Arthur into her dance, yet a rival—Dickie (Cole Escola)—diverts her attention. Arthur, seizing the moment, follows Teddy into the restroom where a deeper connection begins to blossom.
Their conversation reveals Teddy’s troubled past and a chilling tension stirs as Arthur confronts him about the group’s violent actions. Teddy deflects, revealing plans for an upcoming showdown, and Arthur’s pleas for restraint go ignored as Teddy merely smiles cryptically.
In a surreal fantasy sequence, Suze imagines herself amidst the Young Gents’ chaotic revelry as she watches Les recite poetry. An argument breaks out, exposing the fragility of friendships, and Suze’s anguish frantically rushes to the surface. As the night progresses, she and Ida stroll through the city’s streets, voicing self-doubt and longing to break free from societal norms.
When they encounter Billy’s despair, Suze’s shock transforms into compassionate concern as they observe him in a vulnerable state, pouring his heart out on the phone. The couple later finds themselves distanced—fearful of their reality—wrapped in each other’s embrace while chaos ensues outside their window.
In a moment of raw honesty, Suze reveals her struggle with her identity and addresses Arthur’s feelings for her, earning a heartfelt yet uncertain response. Oblivious to the chaos outside, Suze decides to confront the raucous Young Gents, unaware of the dangers lurking ahead. Meanwhile, Gene (Karim Saleh) and Lon (Jake Choi) prepare for the worst, while Teddy emerges with telltale signs of his recent encounters.
Their world begins to unravel when Suze’s fierce confrontation leads her to reclaim her keys after the Young Gents command both fear and chaos. The ensuing drama sends Arthur into an emotional spiral as he grapples with the implications of their choices.
As daybreak approaches, Arthur is left to contend with the aftermath of the violence that transpired, his reflections mirroring the impact of the previous night. When Suze and Arthur find a moment of reprieve at the club, Billy’s presence ignites unexpected emotions, forcing them to confront Billy’s philosophical musings and their precarious connection to their shared past.
Yet, the unraveling continues as Joanne faces the Young Gents, forcing them into confrontation, and the line between tumult and intimacy blurs, culminating in tragic consequences that leave Arthur and Suze scrambling to devise a plan for survival.
With secrets out and alliances shifting, Suze’s pursuit of answers leads her deeper into the labyrinthine world of the Young Gents, where loyalties are tested and betrayals surface. As she navigates this storm, the inevitability of their choices weighs heavily, leaving them to ponder what remains as they stand on the brink of transformation.
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