As the Spanish flu ravages the continent, a devout priest and his son return to their rural Norwegian home from missionary duty in Madagascar. But when the priest's decision to build a new church on an ancient Sami burial ground stirs ancestral wrath, the very dead begin to rise, tormenting the settlers with a haunting reminder of their own mortality.
Does Possession have end credit scenes?
No!
Possession does not have end credit scenes.
52
Metascore
6.3
User Score
6.3 /10
IMDb Rating
60
%
User Score
Who are the two main scholars pursuing the mystery of Ash and LaMotte?
In a captivating tale that intertwines literary scholarship and romance, Roland Michell (played by Aaron Eckhart) and Maud Bailey (portrayed by Gwyneth Paltrow) independently uncover a potentially scandalous connection between two Victorian poets, Randolph Henry Ash (as portrayed by Jeremy Northam) and Christabel LaMotte (embodied by Jennifer Ehle). Despite their opposing personalities—Ash epitomizing traditional conservatism while LaMotte embraces her freethinking, bisexual nature—their tumultuous relationship may have concealed a deeply romantic bond.
Set against the backdrop of the British Museum, where Michell works as a research assistant under the esteemed Professor Fergus Wolfe (Toby Stephens), he stumbles upon a clandestine letter written by Ash to an unidentified woman. This discovery leads him to commit a daring act by stealing the letter, which has the potential to ignite a scandal given Ash’s facade as a devoted husband to Ellen (Holly Aird). Euan (Tom Hollander), the apartment owner and solicitor, becomes a confidant in this riveting quest for literary truth.
As the narrative unfolds, Maud, who is romantically involved with Fergus, reveals her bloodline links to Ash and Ellen. The romantic entanglements deepen when they uncover historical artifacts and diaries, uncovering LaMotte’s passionate correspondence with Ash. Amid secret meetings with Sir George (Graham Crowden) and Lady Bailey (Anna Massey), they visit the forgotten room of LaMotte, where they unearth hidden letters that illuminate her complex feelings towards Ash and the societal pressures of their time.
The affair intensifies when correspondence between Ash and LaMotte reveals the darker sides of love and secrecy. Although Ash desires a life with LaMotte, societal norms compel her to demand the return of their letters, a moment that reveals the depth of her love yet deepens the tragedy of their situation. Flashbacks expose brief moments of joy during their time in Yorkshire, culminating in intimacy overshadowed by societal expectations.
The ensuing drama escalates when Fergus, suspicious of Maud’s pursuits, partners with Cropper (Trevor Eve) to uncover the truth behind Ash and LaMotte’s relationship, inadvertently revealing the tragic consequences of love, loss, and betrayal. Their journeys lead them across Europe, where the turbulent history of LaMotte’s demise becomes intertwined with Ash’s desperate search for truth about their lost child.
In a heart-wrenching conclusion, the discoveries threaten to unravel the carefully constructed lives of all involved, as Michell, Maud, and their allies race against time to prevent the final revelation from falling into the wrong hands. What begins as a search for literary truth transforms into a poignant exploration of the human heart, legacy, and the sacrifices made for love.
“I made a murderer out of her,” echoes through the narrative, encapsulating LaMotte’s tragic plight and the inexorable grip of their shared past, ultimately leading to profound implications for the future they never could have imagined.
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