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Does Secret Window have end credit scenes?

No!

Secret Window does not have end credit scenes.

Secret Window

Secret Window

2004

In the midst of a bitter divorce and struggling to find solace in his isolated cabin, writer Mort Rainey is confronted by John Shooter, a menacing stranger who accuses him of stealing his work. As Shooter's malevolent intentions unfold, Rainey's fragile psyche begins to unravel, plunging him into a desperate struggle for survival.

Runtime: 96 min

Box Office: $93M

Language:

Directors:

Ratings:

Metacritic

46

Metascore

5.3

User Score

Metacritic
review

45%

TOMATOMETER

review

65%

User Score

Metacritic

6.5 /10

IMDb Rating

Metacritic

66.0

%

User Score

Check out what happened in Secret Window!

Renowned mystery author Mort Rainey (Johnny Depp) is confronted by an enigmatic stranger, John Shooter (John Turturro), who claims that Mort has pilfered the idea for his latest story from him. Initially, Mort dismisses Shooter's allegations as the ramblings of a mentally unstable individual and promptly disposes of the offending manuscript. However, his housekeeper (Joan Heney) inadvertently retrieves the book from the trash and, captivated by its eerie similarities to her employer's own novel, becomes obsessed with reading it. The parallels between the two stories are striking, with only minor alterations in character names and narrative structure separating them.

As Shooter's harassment escalates, Mort's calm demeanor gives way to growing unease. A series of disturbing events unfolds, including the senseless slaughter of his beloved Australian Cattle Dog, Chico. Desperate for a solution, Mort hires a private investigator (Charles S. Dutton) and seeks the assistance of local Sheriff Dave Newsome (Len Cariou), who is skeptical of Mort's claims.

As tensions mount, Mort begins to uncover a tangled web of deceit and violence. The private investigator is brutally murdered, along with a key witness, their lifeless bodies left in a car that Mort subsequently sends plummeting into the depths of a nearby river. Convinced that Shooter has framed him for the crimes, Mort's desperation reaches new heights.

The stakes are further amplified when Shooter sets ablaze the home of Mort's soon-to-be ex-wife, leaving her shaken and helpless. Mort becomes convinced that his former spouse is somehow embroiled in the chaos, and his paranoia reaches a fever pitch as he struggles to clear his name and outwit the vengeful Shooter.

As Mort's quest for validation reaches a fever pitch, he finally lays hands on the incriminating magazine, only to discover that his tale has been brutally excised from its pages. The puzzle pieces of reality begin to blur as his inner monologue whispers an unsettling truth: Shooter, the supposed culprit, is merely a manifestation of Mort's own fractured psyche, brought forth through the dark art of dissociative identity disorder. This doppelganger, born from Mort's repressed impulses and deep-seated fears, serves as a tangible representation of the malevolent forces that drive him to commit atrocities he can't bring himself to acknowledge.

As his wife pulls into the cabin, Mort undergoes a metamorphosis, shedding his well-intentioned persona like a worn cloak. The transformation is complete when Shooter emerges, fueled by the devil's brew of Jack Daniels and unchecked aggression. The walls of their home are soon adorned with cryptic graffiti, an eerie foreshadowing of the horrors to come. The innocent wife stumbles upon the gruesome truth: "Shooter" is not a hero, but a harbinger of doom.

With his conscience silenced by the liquor's potent influence, Mort unleashes his dual personas, brutally dispatching his unsuspecting wife and her lover, Ted (Timothy Hutton), with a shovel. The carnage is covered up beneath a blanket of corn, as if trying to conceal the dark truth from the very earth itself.

As the narrative reaches its climax, Mort's writer's block is shattered, replaced by an insatiable passion for life. His creative wellspring overflows, and he revels in the twisted perfection of his latest masterpiece. The sheriff, however, is hot on Mort's trail, determined to bring him to justice for the heinous crimes he has committed. With a chilling nonchalance, Mort responds that "The ending is the most important part of the story. This one is very good. This one is perfect." As the camera pans out, it becomes clear that the bodies lie buried beneath the very cornfield that once nourished Mort's twisted desires.