Sugar Hill 1994

Roemello Skuggs, Wesley Snipes, grows up under the shadow of loss and crime, and the film unfolds largely through a mosaic of flashbacks that map the trauma shaping the Skuggs brothers. In early scenes, Ella’s drug overdose death and a non-fatal shooting of their drug-addicted father, Arthur Romello “A.R.” Skuggs, set a precedent for the violence that surrounds them—the latter incident happening at the hands of the very man they would later work for, Gus Molino. The story then pushes forward to Roemello’s adolescence, where the urge to avenge his father drives him to kill Sal Marconi, Gus’s cousin, an act that cements the hard line between family loyalty and street retribution.

As Roemello weighs his future, he dreams of leaving the drug game behind with his girlfriend, Melissa, only to face the stubborn pull of the life he’s known. Raynathan, his brother, resists the idea of escape, fearful of what abandoning the drug trade might cost them all. The tension between ambition and obligation intensifies as a chain of brutal events pushes Roemello toward a final break with the life he’s been living. The death of his best friend Ricky Goggles, killed by an ambitious Brooklyn dealer and former boxing champion, Lolly Jonas, sends shockwaves through their world. Ricky’s burned body is found hanging from the side of a neighborhood apartment building, a stark message that violence will not end quietly. In response, the Skuggs crew targets Tony Adamo, one of those responsible for Ricky’s death, and a full-fledged street war erupts between Roemello’s group and Lolly’s faction.

Melissa’s growing unease about Roemello’s lifestyle deepens, and the neighborhood tragedy surrounding a young stick-up kid named Kymie—who even saves Roemello during a drive-by—pushes her to ask for a different path. After a painful moment where she endures an abusive date with basketball star Mark Doby, she finally decides to break away, though she later shares one last, fragile moment with Roemello before they attempt to leave New York.

Before they can depart for North Carolina, a grim stop at A.R.’s apartment reveals him dead from a heroin overdose. Raynathan’s cold flutter of responsibility comes into focus when he’s found across the street, emerging from Gus’s restaurant, after he guns down Gus, Lolly, and Harry—Gus’s son—an act that escalates the already volatile situation. Roemello confronts Raynathan with what happened to their father, and Raynathan accepts responsibility, though the moment is overshadowed by chaos and betrayal. When Melissa appears waiting for Roemello, Raynathan fires at her, sparking a brutal fight between the brothers. In the struggle, Roemello is accidentally shot by Raynathan, who then panics and fatally shoots himself in the stomach.

The surviving pair eventually moves to North Carolina, where they build a life and welcome a young son. Roemello is later shown in a wheelchair, his mobility reduced, though the film emphasizes the warmth of family life he manages to preserve despite the physical and emotional scars. The ending offers a somber meditation on the cost of a life caught between crime and family, with Roemello choosing to anchor himself in a future that sacrifices old ties for a semblance of peace and presence with his loved ones.