When three Manhattanites, Bette Midler, Goldie Hawn, and Diane Keaton, find themselves suddenly dumped for younger models, they join forces to exact sweet revenge on their unfaithful ex-husbands. With wit and sass, these friends-turned-frenemies concoct a clever plan to drain their exes' bank accounts, proving that sometimes, it takes a little hurt to heal.
Does The First Wives Club have end credit scenes?
No!
The First Wives Club does not have end credit scenes.
59
Metascore
6.9
User Score
%
TOMATOMETER
0%
User Score
67
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User Score
What year did the four friends graduate from Middlebury College?
As the curtains of time parted in 1969, four inseparable friends—Annie, Brenda, Elise, and Cynthia—said their bittersweet goodbyes to Middlebury College. Their bond was fortified by shared experiences and a promise sealed over glasses of champagne. This vow, symbolized by matching pearl necklaces, bound them together to face life’s myriad challenges.
Now, fast forward to the present day, where the once-unbreakable ties have begun to fray. Cynthia, having become estranged from her affluent ex-husband, grapples with the stark reality of her life and impending mortality. In a poignant farewell, she passes on her beloved pearl necklaces to her friends, entrusting them with the heavy duty of upholding her legacy.
Fate conspires to bring Annie, Brenda, and Elise together once more at Cynthia’s funeral, where they confront the harsh truths of their own turbulent marriages. Annie, who was once a symbol of hope, now finds herself separated from her advertising executive husband, Aaron, as she struggles to mend her fractured identity through therapy. Elise, an Oscar-winning actress, fights for relevance amidst a career that feels increasingly dated, her fading beauty occasionally disguised by the fleeting charms of cosmetic enhancements. Meanwhile, Brenda’s financial security crumbles after her divorce from her husband, Morty, a successful entrepreneur behind a beloved electronics chain.
As the veil of denial lifts, Annie is plunged into a conflict between hope and despair when Aaron proposes divorce, ultimately revealing his infidelity with her therapist. Elise faces a severe blow when an aspiring director offers her a role, only to tell her she’ll play the unattractive mother figure. Brenda encounters her own crisis in a painful meeting with Morty and his stunningly young girlfriend, Shelly, who makes cutting remarks about her appearance.
In the midst of these hardships, the three women draw strength from each other and resolve that pursuing justice is a more honorable goal than succumbing to revenge. From this crucible of shared anguish, the “First Wives Club” is born—a fearless collective intent on dismantling their ex-husbands’ dominance and reclaiming their rightful places in the world.
As Annie’s clever strategies unfold, she partners with her daughter to infiltrate Aaron’s advertising firm, using Elise’s charisma to gain valuable insights into their dealings. Unbeknownst to Aaron, his partners are secretly conspiring to divest from their company, setting the stage for Elise’s master plan. With Brenda’s Italian uncle providing crucial background information on Morty’s unscrupulous past, Elise and Brenda unveil the troubling truth that lingers behind Morty’s initial business triumphs.
As tensions escalate, Elise becomes increasingly frustrated by her stalled efforts to find damaging information against Bill. Her dependence on alcohol escalates, leading to a stark confrontation among the women. However, after a heartfelt conversation with Brenda, Elise seeks redemption and persuades Annie to stay committed to their mission.
Delving deeper into the secrets of their ex-husbands, the wives make a shocking discovery: Phoebe is only 16 years old, blissfully unaware of Bill’s negligence. This startling revelation ignites a pivotal meeting between the women and their ex-husbands, who are threatened with exposure unless they agree to support a nonprofit organization aimed at aiding impoverished and abused women.
Ultimately, Bill, Aaron, and Morty succumb to the pressure, promising to fund the initiative in honor of Cynthia. As the grand opening for their new nonprofit commences, lingering tensions flare as Shelly’s merciless demeanor leads Morty to reconcile with Brenda. In an unexpected twist, Elise enjoys newfound success on Broadway and begins a romantic relationship with a co-star.
Meanwhile, Annie has flourished into a self-assured and independent woman, turning down Aaron’s attempts to reignite their past romance. As the celebration draws to a close, the three women reflect on their transformative journey, joyfully singing “You Don’t Own Me” in a triumphant ode to their rediscovered freedom and empowerment.
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