The Godfather: Part III 1990

As 1979 draws to a close, Michael Corleone (Al Pacino) finds himself on the brink of a transformative moment, with his sixtieth birthday casting a shadow over his past. Burdened by the chilling memory of orchestrating his brother Fredo’s death, Michael seeks redemption through philanthropy, generously contributing millions to various charitable endeavors that would make even the staunchest idealist beam with pride. In the meantime, he and Kay (Diane Keaton) have parted ways, leaving their children, Anthony and Mary, in Kay’s care. The opulent surroundings of St. Patrick’s Old Cathedral become the stage for a poignant family reunion, marking a papal induction ceremony. Here, Anthony confesses his desire to abandon law school for an operatic career—an aspiration that initially finds support in Kay but ultimately needs Michael’s approval. His reluctance hints at the buried anguish stemming from dark secrets he keeps hidden.

Amidst this intricate web, Vincent Mancini, the estranged son of Sonny Corleone (Andy Garcia), bursts onto the scene during the reception with a volatile confrontation aimed at Joey Zasa. Michael’s sister, Connie, plays the role of peacemaker, attempting to quell tensions between the two factions. Despite misgivings about Vincent’s fiery nature, Michael is drawn to his fierce loyalty and decides to bring him into the family fold.

As events unfold, the stakes escalate dramatically when Archbishop Gilday, the head of the Vatican Bank, unveils a massive financial shortfall. Seizing the opportunity, Michael offers an astonishing $600 million for a stake in Internazionale Immobiliare, aiming to secure his position as its predominant shareholder. However, the Vatican’s 25% share stands as a barrier, waiting for the approval of Pope Paul VI.

Enter the seasoned mobster Don Altobello, Connie’s godfather, who hints at the eagerness of his allies on The Commission to collaborate on the Immobiliare deal. Yet, driven by a desire for legitimacy, Michael turns down their advances and chooses to liquidate his Las Vegas interests to finance the initiative. Feeling slighted, Zasa declares war on Michael and storms out, leaving tensions simmering. Although Don Altobello offers to mediate, fate intervenes.

Then chaos erupts as a helicopter hovers menacingly outside, showering the bosses with gunfire and leaving many of them dead. Michael, Vincent, and his loyal bodyguard, Al Neri, narrowly escape. During Michael’s recovery, Vincent begins to court Mary, while Connie and Al give the green light for revenge against Zasa. With the stage set for an impending showdown, only one victor can emerge.

As Anthony readies himself for a performance at Palermo’s venerable Teatro Massimo, the Corleone clan embarks on a journey to Sicily for Michael’s operatic debut. Yet, Michael shifts his focus as he instructs Vincent to feign disloyalty and penetrate Altobello’s inner circle, allowing Vincent to earn the trust of Licio Lucchesi, the Immobiliare chairman, and a potential associate of Anthony.

In an attempt to navigate his turbulent moral landscape, Michael seeks counsel from Cardinal Lamberto, a likely candidate for the papacy. In a heartfelt confession, Michael unearths the truth about Fredo’s demise, finally unburdening himself of the weight he has carried for three decades. Lamberto, offering sage advice, reminds Michael that while he is deserving of suffering for his actions, redemption remains within reach through divine forgiveness.

As Michael wrestles with his spiritual awakening, Vincent warns him about Altobello’s scheme to have Mosca, a ruthless hitman, kill Michael. Tragically, Michael suffers a profound blow when Mosca, masquerading as a priest, assassinates Don Tommasino, a long-standing family ally.

Set against the breathtaking landscapes of Sicily, Michael and Kay confront their tumultuous feelings, striving for forgiveness and rekindling their love. At Tommasino’s funeral, Michael vows to abandon his life of sin, marking a pivotal moment in his quest for spiritual redemption.

Following the passing of the Pope, Cardinal Lamberto ascends as Pope John Paul I, unexpectedly approving the Immobiliare deal. As the dust settles, Gilday plots against the new pontiff, causing further chaos in Michael’s already treacherous world.

In a shocking turn of events, Vincent is designated as the new Don of the Corleone family by Michael, contingent upon his departure from Mary. The family witnesses Anthony’s moving performance in Cavalleria rusticana at Palermo’s opera house, while Vincent methodically seeks vengeance against those who have wronged him.

As the narrative unfolds, Connie masterminds a poignant assassination from the opera box, while Calò, Tommasino’s former bodyguard, meets his end at the hands of Lucchesi. Neri embarks on a mission to the Vatican, where he eliminates Gilday with precision.

The opera house becomes the backdrop for Michael’s ultimate confrontation with Mosca, who injures him and, in an agonizing twist, takes Mary’s life. With despair, Michael cradles Mary’s lifeless body in his arms, a heart-wrenching moment that seals their tragic fate.

In the years that follow, an aging Michael is depicted alone in the courtyard of Don Tommasino’s villa, with frailty overtaking him until death arrives, bringing closure to this grand saga of love, betrayal, and the quest for redemption.

As the reedited Coda fades to black, a poignant revelation occurs; what was once a joyful celebration transforms into a moment of solemn reflection. Michael is shown in quiet surrender, sharing an intimate rhythm with Mary, enveloped in a serene yet haunting atmosphere. As the camera lingers, we witness the stark contrast from the once-vibrant connections of his past. The screen gradually dissolves into darkness, prompting the audience to reflect on the complexities of Michael’s journey and the ephemeral nature of human connection.