The Purple Rose of Cairo 1985

In 1930s America, Cecilia's mundane life as a waitress is disrupted by her husband Monk's reckless spending. Seeking solace in cinema, she finds herself enamored with the protagonist Tom Baxter from "The Purple Rose of Cairo." But when Tom leaps off the screen to join her, their parallel worlds collide, leaving reality in shambles and sparking an unexpected romance.

In 1930s America, Cecilia's mundane life as a waitress is disrupted by her husband Monk's reckless spending. Seeking solace in cinema, she finds herself enamored with the protagonist Tom Baxter from "The Purple Rose of Cairo." But when Tom leaps off the screen to join her, their parallel worlds collide, leaving reality in shambles and sparking an unexpected romance.

Does The Purple Rose of Cairo have end credit scenes?

No!

The Purple Rose of Cairo does not have end credit scenes.

Actors

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Ratings

Discover how The Purple Rose of Cairo is rated on popular platforms like IMDb, Metacritic, and TMDb. Explore audience and critic scores to see how this movie ranks among the best.


Metacritic

75

Metascore

8.1

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

TMDB

74

%

User Score

Movie Quiz

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What is Cecilia's primary source of escapism during the Great Depression?

Discover the awards and nominations received by The Purple Rose of Cairo. Explore the history of The Purple Rose of Cairo and its cast and crew.


The 58th Academy Awards 1986

Woody Allen
Nomination

Writing (Screenplay Written Directly for the Screen)

Woody Allen

39th British Academy Film Awards 1986

Woody Allen
Win

Best Film

Woody Allen
Mia Farrow
Nomination

Best Actress in a Leading Role

Mia Farrow
Woody Allen
Win

Best Original Screenplay

Woody Allen
Nomination

Best Special Visual Effects

Plot Summary

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In the midst of the Great Depression, Cecilia, a dedicated waitress in New Jersey, finds herself engulfed in the challenges posed by her demanding job and a troubled marriage to Monk, whose constant infidelity casts a shadow over her life. Her sole escape lies within the captivating allure of classic films, particularly The Purple Rose of Cairo, which transports her to a world of romance and intrigue. The film’s charismatic archaeologist, Tom Baxter, enchants her as he pursues a glamorous Copacabana singer on screen.

Feeling Cecilia’s yearning, Baxter bravely exits the confines of his film existence, inviting her into a fantastic adventure that transcends the boundaries of reality. As they dance beneath a starlit sky, their bond blossoms, only to be interrupted by the chaotic demands of the film’s characters, who refuse to continue their roles without Baxter. The frenzied theater manager urgently calls the producer, resulting in the arrival of Gil Shepherd, the actor portraying Baxter, determined to restore order amid the cinematic turmoil.

Their paths cross when Shepherd meets Cecilia, whose affection for Baxter has ignited a newfound strength within her. When Monk discovers their connection, he confronts the two; however, Baxter courageously stands his ground, decisively handling the abusive husband. Despite Monk’s malevolence pushing her away, Cecilia’s heart remains loyal to Baxter, who has proven his dedication to her.

As the producers of The Purple Rose of Cairo contemplate the destruction of the film’s copies post-capture of Baxter, he and Cecilia affirm their commitment, with him leading her back into the vibrant world of the theater. Within these enchanted confines, Baxter defies his scripted fate, unveiling the film’s wondrous universe to Cecilia. Just when their love seems destined for a joyful conclusion, Shepherd returns, professing his affections for her. A fierce rivalry ensues between the two men, ultimately leading Cecilia to make her choice—selecting Shepherd while recognizing the profound impact that Baxter has had on her heart, as she chooses to pursue life beyond the silver screen.

As the curtain drops on her tumultuous connection with Monk, Cecilia gathers the strength to sever ties with him for good, believing that Shepherd will whisk her away to the sunny vistas of Tinseltown. Unbeknownst to her, Shepherd has disengaged from his affection, devising a scheme merely to draw Baxter back into the film’s narrative. Settled in the dim theater, Cecilia loses herself in the enchanting magic of Top Hat, escaping the pain and betrayal that now mark her life. The mesmerizing dance sequences of Ginger Rogers and Fred Astaire, accompanied by their classic number “Cheek to Cheek,” serve as a comforting embrace, gently coaxing a smile from her as she becomes enveloped in the bliss of cinematic fantasy.

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Keywords

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film within a film1930smovie theaterfilm industryentering movie via screenmovie reality crossoveractor meets characterfictional character comes to lifecharacter talks to audienceblack servantamusement parkferris wheelpopcornmetafictionmovie screendemanding money backstudio executivemovie stargetaway carcarouselfistfighttap dancingdancingmemorymemory lapseradiculitisback painreference to roscoe 'fatty' arbucklereference to ginger rogersreference to lew ayresbreaking the fourth wallself referentialtime loopyear 1935fantasy becomes realitysatire comedyflower in titleactor plays a dual roleallen and farrowtragedy dramaallen and wiestallen and aielloallen and danielslovedinermarriageactorhappinesschampagnesadness

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