The Rules of Attraction 2002

The story unfolds at the fictitious Camden College, a liberal arts institution nestled in northeastern New Hampshire, during the late 1980s. As the film kicks off, we’re introduced to three pivotal characters in an engaging sequence. They include Lauren Hynde (Shannyn Sossamon), Paul Denton (Ian Somerhalder), and Sean Bateman (James Van Der Beek), who each, in their own way, reflect a pervasive sense of apathy as they attend an “End of the World” party.

Lauren is on a quest to lose her virginity at this lively dorm party. Her sights are set on Victor, her idealized date, but she ends up with Raymond, a charming film student whose wandering gaze is more interested in other girls than in her. As they head upstairs, they pass by Sean, who observes with a heart-wrenching expression, clearly hurt. He tears up what look to be love letters, embodying the pain of unfulfilled affection.

Once inside a room, Lauren lights up a joint for Raymond and passes out before anything significant happens. When she wakes, she is engaged in an unexpected encounter with a “Townie,” only to discover that Joel is filming the explicit moment, leading to a mix of reluctance and resignation about the situation. Just as the climax approaches, the scene takes a surreal turn as some party-goers crash in looking for a place to stash their keg, and the Townie tragically vomits all over Lauren. Abruptly, the film rewinds.

Returning to the party, we meet Paul, whose confident demeanor suggests a flirtation with bisexuality. He tries to connect with a fellow party-goer but is harshly rebuffed, suffering humiliation in the process. Paul’s internal monologue reveals the future aftermath of his encounter, as his former date emerges as a prominent figure in the LGBTQ+ community.

Meanwhile, we are also introduced to Lara, played by Jessica Biel, who represents the quintessential “dumb-blonde” party girl, fully invested in her wild escapades. As we sift through the narratives, we meet Sean, a character marked by his recent bruises and a chilling detachment from genuine emotion, who seems to thrive on absorbing others’ feelings like an emotional vampire.

Sean’s journey of self-discovery is entwined with his interactions with a pretty blonde, who he attempts to seduce under a false identity, demonstrating his inability to connect with reality. Their encounter lands him back in a cycle of indulgence, encapsulating the tumultuous emotions summoned by the college experience.

In this labyrinth of desire and consequence, the film takes us through late-night escapades and parties, revealing deeper layers of connection and disconnection, as well as startling twists. Lauren’s determination to shed her virginity leads her down a path that intersects with Sean’s chaotic existence, blurring the lines of self-discovery, true love, and the raw angst of youth.

As the narrative unwinds, we glimpse the radical transformations each character faces in their pursuit of identity and connection. The year unfolds into tragicomic moments that ultimately challenge the protagonist’s understanding of love and self-worth. In a poignant closing, the film circles back to the initial party scene, drawing us into an ambiguous ending where Sean’s emotional state leaves us to ponder the true cost of their reckless pursuits.

In a final scene filled with uncertainty and reflection, Sean speeds away on his motorcycle, leaving us to wonder whether he’s running from his pain or simply denying its existence, crafting a haunting portrait of college life, relationships, and the pervasive search for meaning amidst chaos.