Directed by
Craig Brewer
Made by
Paramount Vantage
The story centers on two deeply layered protagonists: Lazarus Redd, a devoted farmer and former blues musician, and Rae Doole, a young person grappling with sex addiction. Their emotional journeys are substantially affected by their turbulent pasts. For Lazarus, haunting memories of his wife’s betrayal and a brother’s deceit have left profound scars, creating an atmosphere rife with resentment and unresolved anger. Conversely, Rae finds herself spiraling into reckless behaviors, such as excessive substance use and promiscuity, particularly as her boyfriend, Ronnie Morgan, is deployed with the 196th Field Artillery Brigade of the Tennessee National Guard.
One harrowing evening, during a reckless binge, Rae falls victim to a brutal assault by Gill Morton, who callously leaves her for dead on the roadside while she lies in nothing but her undergarments and crop top.
The following morning, Lazarus discovers Rae’s unconscious body and, compelled by a moral obligation, takes her to his farmhouse to help her recover. When Rae awakens, she is met with Lazarus’s mix of concern and judgment, as he feels a spiritual duty to lead her away from what he perceives as her sinful ways, especially upon learning of her promiscuous actions.
As Rae struggles with the trauma from her assault, she attempts to flee several times from Lazarus’s care, leading him to chain her to a radiator, thereby confining her to his home. Yet, as her physical scars begin to mend, Rae starts to develop a reluctant acceptance of her situation. Lazarus, noticing her shift in demeanor, endeavors to make her feel more comfortable by gifting her a sundress and expressing kindness through guitar serenades and home-cooked meals.
Meanwhile, R.L., Lazarus’s pastor and close friend, stops by and is taken aback to learn of Rae’s captivity. Their shared meal sparks a moment of reflection for Lazarus, allowing him to reconsider his decisions.
As the narrative unfolds, Ronnie returns home from his deployment, having been discharged due to a severe anxiety disorder. As he searches for Rae, he finds Gill who reveals Rae’s infidelity. Consumed by rage, Ronnie confronts Gill and takes his truck in his quest to find Rae.
Dawn brings a crucial turning point; Lazarus chooses to set Rae free from the constraints of his judgment, understanding he cannot dictate her fate. Her choice to stay with him becomes a powerful testament to her strength and determination. Later that evening, with ominous storm clouds gathering, Rae requests a serenade, leading Lazarus to play a soulful rendition of > “Black Snake Moan” by Blind Lemon Jefferson, creating an enchanting atmosphere between them.
Their journey takes them into town where Rae confronts her mother about past abuses. Meanwhile, Lazarus finds a romantic connection with Angela, the local pharmacist, whose warmth captivates him. While performing at a local bar, Rae catches Ronnie’s eye, causing tensions to flare as he confronts them with a pistol in hand. However, Lazarus maintains a calm resolve, and they call upon the pastor to help mediate.
In the aftermath, both Rae and Ronnie recognize the strength of their bond and decide to marry, embracing vulnerability in a heartfelt moment. As they drive off into the sunset, Ronnie’s anxiety resurfaces, but this time Rae stands beside him, embodying their promise to face life’s hurdles together, their love shining as a beacon amidst adversity.
Introduction of Lazarus Redd and Rae Doole
The story opens with the introduction of two central characters: Lazarus Redd, a devoted farmer and former blues musician, and Rae Doole, a young person battling sex addiction. Their emotional struggles are shaped by their tumultuous pasts, setting up the backdrop of conflict and redemption that is to unfold.
Lazarus's Haunting Past
Lazarus is haunted by painful memories from his past, including his wife's betrayal and a brother's deceit. This emotional baggage fosters a climate of unresolved anger and resentment in his everyday life.
Rae's Reckless Behavior
Meanwhile, Rae grapples with her sex addiction and spirals into reckless behaviors, fueled further by her boyfriend Ronnie Morgan's deployment. This descent includes excessive substance use and promiscuity, illustrating her struggle for control over her life.
The Assault on Rae
One harrowing evening, during a binge, Rae suffers a brutal assault at the hands of Gill Morton. In a shocking act, he leaves her for dead on the roadside, allowing her suffering to deepen and illustrate the severity of her situation.
Lazarus Finds Rae
The next morning, Lazarus stumbles upon Rae's unconscious body. Driven by a sense of moral obligation, he takes her to his farmhouse, aiming to help her recover from the traumatic experience she has just endured.
Rae Awakens
When Rae awakens at Lazarus's farmhouse, she is confronted with a mix of concern and judgment from him. Lazarus feels compelled to guide her away from her perceived sinful ways, revealing the complex dynamics between them right from the start.
Rae Attempts to Flee
As Rae struggles to cope with the trauma of her assault, she makes multiple escape attempts from Lazarus's care. In response, Lazarus feels compelled to confine her for her own safety, chaining her to a radiator in a drastic measure that underscores their complicated relationship.
Developing Acceptance
During her confinement, Rae's physical condition begins to improve, and she starts to reluctantly accept her situation. Lazarus takes notice of her changing demeanor and attempts to make her feel more at ease by giving her a sundress and serenading her with his guitar.
R.L.'s Visit
Lazarus's pastor and close friend, R.L., pays a visit and is taken aback by the revelation of Rae's captivity. Their shared meal prompts contemplation for Lazarus, suggesting the potential for redemption and a shift in his approach to Rae's situation.
Ronnie's Return
Ronnie returns from his deployment, having been discharged due to severe anxiety. As he seeks out Rae, he encounters Gill, who informs him about Rae's infidelity, setting off a chain of events fueled by anger and urgency.
Confrontation with Gill
Fueled by rage after learning about Rae's actions, Ronnie confronts Gill in a tense encounter. This confrontation escalates as Ronnie takes matters into his own hands, searching for Rae with the intent to confront her directly.
Lazarus Sets Rae Free
Dawn arrives as a significant turning point when Lazarus realizes he must let Rae choose her own fate. This liberating decision illustrates his growth and understanding, leading to Rae's powerful choice to stay with him despite her earlier struggles.
Rae's Serenade Request
That evening, with storm clouds brewing, Rae asks Lazarus for a serenade. He plays 'Black Snake Moan' by Blind Lemon Jefferson, creating a captivating moment that deepens the emotional bond forged between them amidst the chaos.
Confrontation at the Bar
As they venture into town, Rae confronts her mother about past abuses, while Lazarus forms a romantic connection with Angela, the local pharmacist. This encounter leads to heightened tensions when Ronnie spots them at a bar, brandishing a pistol during a confrontation.
Rae and Ronnie's Decision
In the aftermath of the confrontation, Rae and Ronnie recognize the depth of their bond and choose to marry. As they drive off into the sunset, they vow to face life's challenges together, symbolizing their shared commitment to support each other through adversity.
Lazarus Redd (Samuel L. Jackson)
Lazarus is a devoted farmer and former blues musician, driven by a desire to guide Rae towards recovery. His past, marked by betrayal and hurt, fuels his initial judgments but ultimately transitions into compassion. Lazarus’s character illustrates themes of duty, redemption, and the complexities of human connection.
Rae Doole (Christina Ricci)
Rae is a young woman struggling with sex addiction and the aftermath of a brutal assault. Her journey from reckless behavior towards acceptance and healing showcases her resilience. Rae's character embodies vulnerability, strength, and the challenges of overcoming trauma.
Ronnie Morgan (Justin Timberlake)
Ronnie is Rae's boyfriend, whose deployment and subsequent return heightens the tension in the story. Struggling with severe anxiety, he represents the emotional ramifications of conflict and trauma in relationships. Ronnie's character arc revolves around love, confrontation, and the quest for stability.
Time period
Modern Day
The events of the movie take place in a contemporary setting, reflecting modern societal issues such as trauma, addiction, and emotional healing. This time frame allows for a relatable exploration of personal struggles and the search for redemption amid a backdrop of evolving relationships and challenges.
Location
Tennessee
The movie is set in Tennessee, a region known for its rich musical heritage, especially in blues and country genres. The rural landscape features farms and small towns, creating an intimate backdrop for the characters' interactions and emotional journeys. The farmhouse where Lazarus cares for Rae symbolizes both isolation and the possibility of healing.
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Healing
The theme of healing is central to the characters' journeys, particularly Rae's as she confronts her trauma and seeks recovery. Lazarus's role in helping her heal underscores the complexities of human connection, compassion, and the transformative power of understanding. Their relationship serves as a poignant exploration of forgiveness and personal growth.
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Redemption
Redemption is a prevalent theme, as both Lazarus and Rae grapple with their pasts. Lazarus's struggle with anger and resentment contrasts with Rae's battles with her self-destructive habits. The narrative highlights the possibility of change and the importance of acceptance in their paths toward reclaiming their lives.
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Conflict
Conflict arises both internally and externally, defining the characters' relationships and choices. Rae's personal demons and Lazarus's judgment create tension, while the return of Ronnie introduces further complications. The conflicts they face are pivotal in shaping their decisions and the overarching narrative.
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