A Kind of Murder 2016

As Walter Stackhouse, a character portrayed by Patrick Wilson, grapples with his dual roles as an architect and an aspiring crime novelist, his initial curiosity surrounding the murder of a local woman evolves into an all-consuming obsession. His seemingly innocuous visit to Kimmel, whose wife was the victim, at the latter’s used bookstore takes on an air of deceit. There, Stackhouse pretends to be just another customer in search of architectural literature while discreetly probing deeper into the chilling case.

Simultaneously, Stackhouse’s tumultuous marriage becomes painfully apparent when the chilling discovery of his wife Clara’s body echoes the tragic fate of Kimmel’s spouse. This shocking revelation ignites a whirlwind of suspicion and blame among the key players involved.

On the hunt is Detective Corby, whose instinct leads him to believe that the husbands are tangled in the sinister plot surrounding their wives’ deaths. As he digs deeper, flashbacks unfold, revealing a complicated web woven from deceit and exploitation. Stackhouse is revealed to have had an affair with nightclub singer Ellie Briess, further complicating his relationship with Clara, whose demise might have been influenced by Stackhouse’s unintentional suggestions.

As the tension escalates, Corby orchestrates a strategic divide between Kimmel and Stackhouse, alleging that Stackhouse is mimicking a killer, which inspires Kimmel to turn against him. The stakes heighten dramatically when Kimmel joins forces with Corby to pursue Stackhouse, culminating in a frantic chase through the maze of passages beneath Ellie’s nightclub.

In a tumultuous turn of events, Kimmel accidentally kills an officer, only to face the horrifying realization of his mistake as he corners Stackhouse, knife in hand. The police, responding with urgency, are forced to act decisively, resulting in Kimmel’s tragic downfall.

As Stackhouse finds himself injured on the ground, a twisted smile plays across his face, revealing his contemplation of the thin lines that blur between fiction and harsh reality. The film reaches its poignant climax as the typewriter rattles its way through the concluding phrase, > “THE END.”