Arlington Road 1999

When his FBI agent wife falls victim to an extremist group's brutality, college professor Michael Faraday descends into a world of suspicion and mistrust. As he probes the seemingly ordinary lives of his new neighbors, Oliver and Cheryl Lang, the lines between paranoia and reality blur, forcing him to confront the darkness that lurks on Arlington Road.

When his FBI agent wife falls victim to an extremist group's brutality, college professor Michael Faraday descends into a world of suspicion and mistrust. As he probes the seemingly ordinary lives of his new neighbors, Oliver and Cheryl Lang, the lines between paranoia and reality blur, forcing him to confront the darkness that lurks on Arlington Road.

Does Arlington Road have end credit scenes?

No!

Arlington Road does not have end credit scenes.

Ratings


Metacritic

65

Metascore

7.1

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.2 /10

IMDb Rating

TMDB

70

%

User Score

Movie Quiz


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Who plays the character of Michael Faraday?

Plot Summary

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Michael Faraday, portrayed by Jeff Bridges, is a widowed history professor at George Washington University, navigating life with his 10-year-old son, Grant. One fateful day, a chance encounter with a severely injured boy named Brady—a neighbor to Michael—leads to an unexpected friendship between their families. Brady’s parents, Oliver and Cheryl Lang, played by Tim Robbins and Joan Cusack respectively, quickly bond with Michael, and their boys even join a scouting group together, the Discoverers.

However, beneath the surface, Michael grows increasingly uneasy with the Lang family’s peculiar behavior. During a casual gathering, Michael notices blueprints that do not align with Oliver’s claims as a structural engineer. His suspicions deepen when a misdelivered letter hints at Oliver’s deception regarding his educational background. As Michael shares his grievances about governmental indifference—stemming from his late wife’s tragic death while on duty as an FBI agent—he finds himself at odds with his girlfriend, Brooke, and his wife’s former partner, Whit Carver, who dismiss his mounting paranoia.

In a poignant moment during a class field trip to the site where his wife’s life ended, Michael passionately critiques the FBI’s reckless decisions. His students’ discomfort grows as he articulates the tragedy of a situation that could have been avoided if proper investigations were conducted. Amid this tension, the Lang family’s enigmatic nature continues to gnaw at Michael, especially after he learns that Oliver’s true identity is William Fenimore, a former delinquent with a violent past.

Digging deeper, Michael uncovers perilous secrets about Oliver’s history, including a failed bombing incident from his youth rooted in a fight against governmental injustice. This revelation shrouds their friendship in suspicion and dread. Tensions escalate further when Brooke discovers Oliver’s illicit dealings, only to meet a mysterious end that leaves Michael frantic and fearful for Grant’s safety.

Michael’s investigation leads him on a harrowing journey, culminating in a shocking revelation about a conspiracy involving the Langs and their connection to a bombing in St. Louis. As Michael races against time to save his son, he confronts Oliver, who chillingly admits to having orchestrated Brooke’s death and threatens Grant’s life if Michael pursues justice.

Despite Michael’s desperate attempts to alert the FBI, his efforts culminate in a devastating twist. Ultimately, a tragic explosion, designed to frame Michael as a terrorist seeking revenge for his wife’s death, takes place during his futile quest for truth. The aftermath sees Michael painted by the media as a dangerous enemy of the state, while his son unwittingly becomes an orphan, left to live with relatives, blind to the real circumstances behind his father’s demise.

In a haunting conclusion, the Langs, having successfully manipulated events to their advantage, prepare to disappear once again to evade scrutiny and plot their next act of terror, seeking another unsuspecting victim to bear the blame, just as they did with Michael Faraday.

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