Copying Beethoven 2006

In 19th century Vienna, Anna Holtz, a dedicated music student, finds herself entwined with the imperious Ludwig van Beethoven. As their paths converge, Beethoven's cantankerous nature softens, and he forms an unlikely bond with Anna, but their budding connection is threatened by her impending marriage to another man.

In 19th century Vienna, Anna Holtz, a dedicated music student, finds herself entwined with the imperious Ludwig van Beethoven. As their paths converge, Beethoven's cantankerous nature softens, and he forms an unlikely bond with Anna, but their budding connection is threatened by her impending marriage to another man.

Does Copying Beethoven have end credit scenes?

No!

Copying Beethoven does not have end credit scenes.

Actors

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Ratings

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Metacritic

59

Metascore

7.2

User Score

Rotten Tomatoes
review

28%

TOMATOMETER

review

56%

User Score

IMDb

6.7 /10

IMDb Rating

TMDB

64

%

User Score

Movie Quiz

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Who plays the role of Ludwig van Beethoven in the film?

Plot Summary

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Copying Beethoven is a compelling period drama that delves into the final year of Ludwig van Beethoven, portrayed by Ed Harris. The film opens with a poignant scene featuring a frail Beethoven, while Anna Holz, played by Diane Kruger, witnesses this profound moment, establishing an emotional connection between them right from the start.

The narrative transports us back to the time when Wenzel Schlemmer, Beethoven’s publisher, desperately searches for a talented copyist to assist in completing the score for his Ninth Symphony ahead of its much-anticipated debut. Anna Holz, a fictional character likely inspired by a close friend of Beethoven named Karl Holz, steps forward as the best available copyist. Initially taken aback by the prospect of working with a woman, Beethoven soon finds that their collaboration flourishes, leading to Anna aiding in the magnificent premiere of his final symphony.

As the story unfolds, we also meet Martin Bauer, portrayed by Matthew Goode, who is Anna’s love interest and engrossed in designing a novel bridge. While Martin engages his intellect for his engineering projects, Beethoven is deeply connected to the emotional and spiritual aspects of life. Caught in a difficult position, Anna feels the weight of choosing between the two men.

The tension escalates when Beethoven, exhibiting his unfiltered temperament, shatters Martin’s bridge model and makes harsh remarks about one of Anna’s compositions, prompting her to leave him. When Martin realizes his mistake, he pleads for forgiveness, and Anna ultimately yields, understanding that both art and love transcend mere logic.

The duo continues to collaborate on Beethoven’s works, as well as Anna’s own compositions, until the maestro’s passing. Interwoven within this narrative is a subplot that reveals Beethoven’s tumultuous relationship with his nephew, Karl van Beethoven. The young man, portrayed by Joe Anderson, struggles with his uncle’s expectations and feels inadequate as he battles his gambling debts while avoiding Beethoven’s hopeful aspirations for a worthy successor.

This intricate tapestry of relationships underscores the struggles of artistry, emotion, and familial obligation, making Copying Beethoven a heartfelt examination of the human experience against the backdrop of genius.

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