
During the 1970 Miss World competition in London, hosted by Bob Hope, the Women's Liberation Movement stages a dramatic protest, interrupting the live television broadcast. This unprecedented event challenges the competition's objectification of women and sparks a national conversation. The unexpected result sees Miss Grenada crowned, making her the first black woman to win the title, marking a significant moment that questions conventional beauty standards and societal expectations.
Does Misbehaviour have end credit scenes?
Yes!
Misbehaviour does have end credit scenes. Stay until the very end!
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Misbehaviour presents a lively and thoughtful portrayal of a pivotal moment in feminist history, with engaging dialogue and spirited performances anchoring its narrative. The film offers deeper insights into intersectional issues, even as it alternates unevenly between character-focused scenes and broader thematic vignettes. Production design and visual style evoke the 1970s setting with authenticity, complemented by solid, though understated, musical choices. Pacing fluctuations and a somewhat light dramatic tone temper its impact, but the film remains an enjoyable and insightful viewing experience overall.
The Movie Echo Score Breakdown for Misbehaviour
Art & Craft
In terms of cinematography, Misbehaviour employs a polished visual palette that authentically evokes the 1970s context. The production design and costumes contribute vibrant period detail throughout. Editing choices, however, occasionally disrupt the narrative rhythm, leading to uneven scene transitions. The result is a visually appealing film that sometimes sacrifices fluidity for stylistic emphasis.
Character & Emotion
When it comes to character and emotion, Misbehaviour features compelling lead performances, notably by its principal actresses. The film captures strong chemistry among the activists and conveys sincere emotional stakes in their interactions. Some supporting roles feel less developed compared to the central figures, yet the ensemble maintains an empathetic tone. Overall, the cast delivers nuanced portrayals that anchor the narrative effectively.
Story & Flow
In terms of story and flow, Misbehaviour tackles a significant historical episode with a measured pacing that at times feels uneven. The narrative balances multiple viewpoints, providing insight into the activists’ motivations and societal context. Occasional shifts between character vignettes and broader themes can disrupt momentum, though the core plot remains coherent. Ultimately, the story offers an engaging, if sometimes variable, narrative arc.
Sensory Experience
When evaluating the sensory experience, Misbehaviour presents an understated soundtrack that supports the period atmosphere without overwhelming the scenes. Sound design is clean, and ambient details reinforce the London setting. The visual style relies on warm color palettes and naturalistic lighting to evoke the era. While not audibly striking, the cohesive aesthetic choices contribute to an immersive cinematic environment.
Rewatch Factor
In terms of rewatch value, Misbehaviour provides moderate appeal for repeat viewings. The historical context and character dynamics remain engaging on a second watch, especially in group settings where the humor resonates. However, the light dramatic tone and occasional pacing inconsistencies may lessen impact over time. Overall, the film offers sufficient lasting interest for viewers drawn to its thematic focus.
62
Metascore
4.3
User Score
87%
TOMATOMETER
58%
User Score
6.4 /10
IMDb Rating
64
%
User Score
3.3
From 5 fan ratings
3.00/5
From 5 fan ratings
Read the complete plot summary of Misbehaviour, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Sally Alexander, Keira Knightley is a history student at University College London who is eager to understand how the past shapes the present. At a conference on women’s rights, she meets Jo Robinson, Jessie Buckley, a passionate feminist organizer who fights for visibility and change. After helping Jo dodge arrest for defacing a sexist billboard, Jo invites Sally to join her women’s group, where Sally helps shape the group’s messaging and media strategy for a planned protest at the 1970 Miss World pageant in London. The event is being presented by American comedian Bob Hope, Greg Kinnear, whose involvement is controversial inside his own household, particularly with Dolores, who disapproves of his affair with the pageant’s 1961 winner.
As the Miss World contestants arrive, the lineup includes Pearl Jansen (Miss Africa South) and Jennifer Hosten (Miss Grenada). Jennifer and Pearl connect over their shared experiences of racism, while Jennifer befriends Marjorie Johansson (Miss Sweden), the audience’s favorite who feels demeaned and exploited by the competition. Frustrated by the casual sexism she encounters at university, Sally devises a plan to disrupt the live television broadcast by mingling with the crowd. Several group members volunteer and purchase audience tickets. Pearl privately confides to Jennifer that apartheid-era South Africa warned her that she wouldn’t be allowed to return home if she spoke out about the treatment of Black South Africans. Sally’s personal life also comes under strain as her mother questions the toll activism takes on Sally’s daughter and her relationship with Gareth.
A car bomb, attributed to an anarchist group, explodes outside the theatre hosting the event. Despite Gareth’s pleas for Sally to abort the protest, she and Jo press ahead. The pageant proceeds with contestants, the audience, organizers, and Hope crossing a precarious picket line of protestors. Hope opens the show with a volley of sexist quips. The judging panel reduces the field to seven finalists, among them Pearl and Jennifer. Jo and Sally’s group noisily interrupts with heckling and a flour bomb aimed at the stage. The two women are arrested, the broadcast is briefly halted, and then resumes. In a turning moment, Jennifer is crowned Miss World, the first woman of color to win, while Pearl takes second place. Behind the scenes, Sally is taken away by police and has a tense exchange with Jennifer about the protests.
The film’s epilogue sketches the later paths of the key figures: Jennifer goes on to study Political Science and International Relations and becomes Grenada’s High Commissioner to Canada; Sally becomes Professor of Modern History at the University of London; Jo gives birth five months after the competition and later trains as a midwife; Pearl returns to South Africa and pursues a singing career after the fall of Apartheid. The protest is portrayed as a significant ripple that helped bring the women’s liberation movement into broader public view. The closing note emphasizes the ongoing struggle with the line: > “Attempts to bring down the patriarchy remain ongoing.”
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