One, Two, Three 1961

In what would mark his final leading role, James Cagney portrays C.R. MacNamara, a Coca-Cola executive tasked with overseeing the company’s West Berlin branch. His aspirations for a promotion to London lead him to seek the approval of his boss, Hazeltine, who commands him to look after his care-free daughter, Scarlett. As time progresses, an unexpected twist unfolds: just before Hazeltine’s arrival, Scarlett reveals that she has wed a rather unsavory character, Otto Piffl, a Communist from East Berlin known for his poor hygiene.

In a series of comedic escapades, the clever MacNamara concocts a plan to have Piffl detained by the East Berlin authorities in hopes of annulling the marriage, only to learn that Scarlett is expecting a child. This sets off a frantic race against the clock, as he must orchestrate Piffl’s release and present him as a suitable husband for his now-pregnant daughter, all within a mere twelve hours. Simultaneously, MacNamara navigates the turmoil at home, trying to soften the blow for his wife, who has discovered his romantic entanglement with the alluring secretary, Ingeborg.

Billy Wilder’s film unfolds with a relentless pace, cleverly blending satire with farcical elements that critique a myriad of subjects—from Coca-Cola and Cold War tensions to societal prejudices and musical tastes of the era. While some of the humor might feel outdated and not all the jokes strike the right chord, Cagney’s captivating performance anchors this whirlwind of a narrative. The film exhibits a unique spark as it dives into a chaotic world brimming with absurdity and wit, showcasing a masterful blend of comedy and commentary.