The Misfits 1961

In the vibrant setting of Reno, Nevada, a captivating tale unfolds as Roslyn Tabor (Marilyn Monroe), a stunning 30-year-old woman, finds herself filing for a quick six-week residency divorce from her neglectful husband, Raymond (Kevin McCarthy). In her own words, Roslyn declares her desire for solitude: “If I am going to be alone, I want to be by myself.” This abrupt move sets the stage for a compelling exploration of heartbreak and new beginnings.

As part of the divorce settlement, Raymond gifts Roslyn a car, which ultimately becomes a symbol of her independence. However, when the vehicle breaks down, she seeks assistance from her landlady Isabelle Steers (Thelma Ritter). A tow truck driver named Guido (Eli Wallach) arrives to help, and it quickly becomes clear that he is enchanted by Roslyn’s charm. Following this encounter, Isabelle decides to whisk Roslyn away to a nearby cocktail lounge at Harrah’s, where they indulge in drinks and revel in the nightlife.

Roslyn’s deep affection for animals showcases her sensitive nature, emphasizing her emotional vulnerabilities. It is here that she crosses paths with the seasoned cowboy Gay Langland (Clark Gable). Alongside Guido, Gay extends an invitation to Roslyn and Isabelle to visit his half-finished home in the countryside, hoping to distract her from the painful memories of her divorce. As they embark on this journey, Isabelle warns Roslyn of the cowboy’s tall tales, reminding her that sometimes, a trusting heart can lead to disappointment.

Upon arriving at Guido’s residence, a project he started for his late wife, who tragically passed away during childbirth, the four friends enjoy music, drinks, and dancing under the open sky. However, as the camaraderie grows, Roslyn and Gay face deeper emotional conflicts. During a seemingly innocuous breakfast, Gay reveals his regrets about not being present for his own children. Their relationship becomes strained, particularly when Gay tries to kill a rabbit that threatens their newly planted garden, causing a heated argument between them.

As fate would have it, Guido’s adventurous proposal to round up wild mustangs for sale beckons them to a local rodeo. Here, they chance upon Perce Howland (Montgomery Clift), a friend of Gay’s who is struggling financially. Gay compassionately offers to cover Perce’s entry fee, thus solidifying his participation in their mustang mission. Amidst the clashing rodeo excitement, Roslyn finds herself growing increasingly horrified at the treatment of the horses, culminating in her passionate outcry that rodeos

should be outlawed.

The emotional stakes escalate when Perce sustains an injury at the rodeo, leading Roslyn to beg him to seek medical help, only for him to stubbornly choose to continue competing. A pivotal moment arises when she discovers the depth of his pain, causing her to weep for him—a profound expression of vulnerability that resonates deeply. As love and friendship intertwine, Roslyn grapples with her feelings toward both Gay, who drunkenly seeks her attention, and Guido, who harbors his own affections.

Soon, the tension boils over when Roslyn’s moral indignation reaches a boiling point, and she confronts the group about their intentions to sell the mustangs for dog food. She realizes that she is falling for a man who embodies everything she stands against—a killer. As conversations grow heated, Roslyn pleads with Gay to release the captured horses, conflicted between her burgeoning love for him and her desire to protect the creatures.

Faced with the escalating drama of betrayal and emotion, she finds herself at odds with the men around her, each one vying for her affection, while she too wrestles with her heart’s desires. With the backdrop of a starry sky, the allegorical weight of her feelings hangs heavy each time she interacts with Gay or Guido, showcasing her inner turmoil.

In a heart-wrenching conclusion, Roslyn decides to leave, yet she finds light in a seemingly mundane moment when she lovingly unchains Gay’s dog, symbolizing her longing for freedom and genuine connection. As the truck drives off into the night, she offers Gay a simple yet profound agreement, “I’ll leave tomorrow, OK.” And with that, they disappear into the unknown, leaving behind the tumult of their lives in search of something utterly heart-wrenching and beautiful. Thus, unfolds a story of love, loss, and the relentless pursuit of personal truth.