Nine 2009

Guido Contini, played by Daniel Day-Lewis, is a talented Italian filmmaker who finds himself struggling with writer’s block at the age of fifty. In a desperate bid for inspiration, he summons the significant women in his life, both living and departed, to help him overcome this creative hurdle. As his thoughts drift to a half-finished set, he envisions a plethora of intriguing characters, including his leading lady Claudia Jenssen and his loyal yet troubled wife Luisa (Marion Cotillard). The vibrant tapestry of his past includes his flirtatious mistress Carla (Penélope Cruz), his devoted costume designer Lilli, his ever-loving Mamma, and various other muses from his memory.

Set in 1965 against the bustling backdrop of the famous Cinecittà studios in Rome, the story ignites at a press conference where Contini enchants the crowd with his charisma while artfully dodging inquiries about his latest film, tentatively titled Italia. Here, he strikes up a playful rapport with Stephanie, a Vogue fashion journalist, sparking a flirtation that dances around deeper feelings. In the throes of his mind, he escapes into elaborate fantasies, echoing his longing for the vigor of youth through the evocative “Guido’s Song.”

The plot thickens as Guido retreats to the Bellavista Spa Hotel, confronting the disappointment of his mistress Carla, who had hoped for a luxurious stay but instead finds herself in a rundown pension nearby. Complications arise when a cardinal, a guest at the same hotel, offers him moral counsel. Contini is inundated with memories of his impossibly alluring childhood crush, Saraghina, whose lessons on love remain etched in his psyche through the spirited number “Be Italian.”

The tension escalates at a dinner meant to celebrate his wife Luisa’s birthday, where she bravely articulates her sacrifice of a thriving acting career for the sake of their marriage in the emotional “My Husband Makes Movies.” As suspicion simmers and jealousy ignites, Luisa’s demeanor shifts dramatically upon encountering Carla, leading to a heart-wrenching confrontation. Despite heartfelt resolutions, Guido finds himself entangled in a web of infidelity, descending further into chaos following an alarming incident involving Carla.

Haunted by his decisions, Guido journeys through his memories and poignant reflections. He grapples with the realization that he has lost not just his wife but also the essence of his creativity. The poignant song “Take It All” reveals his deep isolation, as he finally comes to terms with his plight: there is no film, only fragments of what once was. In a painful yet cathartic move, he dismantles the set and leaves Rome behind, recognizing that he is adrift with no path forward.

Two years later, fate leads him to a café in Anguillara, where he catches a glimpse of Luisa, now flourishing elsewhere. A conversation with Lilli reignites a flicker of hope within him. They discuss the possibility of another film, one that chronicles his quest to reclaim his lost love. Inspiration strikes, igniting Guido’s passion once again as he gathers his life’s actors in a moment filled with nostalgia and warmth. In a triumphant return to his creative roots, he takes his place in the director’s chair, eager to shout “Action!” as he embarks on a new journey—one that blends reality and film in a heartfelt finale, with Luisa watching proudly from the shadows.