A cursed existence unfolds for Constantine, a troubled soul with an unsettling gift: seeing demons masquerading as humans. Haunted by his own mortality, he's resurrected against his will, now forced to navigate a precarious balance between heaven and hell, searching for redemption by banishing the devil's minions from Earth.

A cursed existence unfolds for Constantine, a troubled soul with an unsettling gift: seeing demons masquerading as humans. Haunted by his own mortality, he's resurrected against his will, now forced to navigate a precarious balance between heaven and hell, searching for redemption by banishing the devil's minions from Earth.

Does Constantine have end credit scenes?

Yes!

Constantine does have end credit scenes.

Ratings


Metacritic

50

Metascore

7.3

User Score

Rotten Tomatoes
review

%

TOMATOMETER

review

0%

User Score

IMDb

7.0 /10

IMDb Rating

TMDB

71

%

User Score

Movie Quiz


Constantine Movie Quiz: Test your knowledge about the supernatural thriller 'Constantine' with this diverse quiz based on its captivating story.

What is John Constantine's unique ability?

Plot Summary

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John Constantine, portrayed by Keanu Reeves, is a deeply flawed yet compelling character endowed with the extraordinary ability to perceive the true natures of angels and demons, who walk amongst humans in disguise. This unique power can feel more like a curse; as a child, Constantine faced a disturbing reality that he struggled to comprehend, which ultimately led him to attempt to escape life through suicide. Miraculously spared, he is thrust into a role of unwilling responsibility on Earth, tasked with the challenging duty of sending rule-breaking demons back to Hell.

Set against the backdrop of Los Angeles, his path intertwines with LAPD detective Angela Dodson, played by Rachel Weisz, who seeks his expertise to investigate the mysterious death of her twin sister. Intrigued and desperate for closure, Angela believes that the spirits she feels connected to hold the key to her sister Isabel’s tragic end. Reluctantly, John reveals his abilities to Angela, leading her to experience firsthand the unsettling world of demons and angels.

As the plot unfolds, both John and Angela find themselves entrenched in a larger battle involving heavenly and hellish forces. This tension escalates when they discover that malevolent entities are trying to breach the earthly realm, led by Mammon, Satan’s son, whose ambitions threaten the balance of their world. Amidst the chaos, John finds himself confronting not only the dangers posed by full demons but also the looming threat of his own mortality due to lung cancer.

In a pivotal moment, John’s confrontation with Gabriel, a half-breed angel played by Tilda Swinton, reveals the deeper stakes at play. Gabriel chastises John for his motivations, stating that his exorcisms are merely vain attempts to escape damnation and do not earn him salvation. Yet, John’s steadfast resolve leads him deeper into a plot that involves the Spear of Destiny and the manipulation of Angela, aimed at ushering Mammon into existence on Earth.

As the final confrontation approaches, John’s unyielding spirit shines through, even as he is faced with sacrificing his life for a chance at redemption for Isabel. The climactic struggle between the forces of Heaven and Hell culminates in a dramatic showdown where John, faced with the wrath of not just demons but also Gabriel, proves himself worthy through selflessness. In a stunning twist, his noble act opens the gates of Heaven to him, transforming his fate.

In the aftermath, John hands over the Spear of Destiny to Angela with a solemn instruction to hide it away, finally showing a glimmer of hope as he transitions away from his destructive habits. The closing scene brings a poignant resolution, revealing his heartfelt visit to Chas’s grave, honoring a friendship that transcends life and death. As the credits roll, audiences are left contemplating the duality of John’s existence—a man caught between the worlds of Heaven and Hell, ultimately seeking redemption.

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