Never Look Away 2019

As Kurt Barnert, portrayed by Tom Schilling, embarks on a journey through the “Degenerate Art” exhibit in Dresden alongside his captivating aunt, Elisabeth, he becomes deeply fascinated by the avant-garde sculpture Girl with Blue Hair by Eugen Hoffmann. This pivotal moment occurs during the tumultuous days of Nazi Germany, setting the stage for a life-altering adventure.

Elisabeth, a fervent supporter of the National Socialist Women’s League and a devoted admirer of Adolf Hitler— whom she has the unique honor of presenting a bouquet to at a Nazi rally—exemplifies the ideal German Hausfrau. Yet, her seemingly perfect exterior hides a complex personality enriched by the love of art, music, and the little things that bring joy. Kurt’s discovery of her private concert, where she exuberantly plays Bach’s piano compositions in the nude, reveals the depth of her character through her laughter and wild behavior.

Tragically, Elisabeth battles with mental illness, leading to a heartbreaking diagnosis of schizophrenia. This ultimately results in forced sterilization and her untimely murder under the ruthless Nazi regime’s euthanasia program. Behind this horror is Professor Carl Seeband, a high-ranking member of the SS medical corps and a gynecologist, whose actions would later catch up with him as he faces Soviet imprisonment.

As World War II draws to a close, Seeband finds himself facing execution but takes an unexpected turn by volunteering his medical services to assist a Red Army officer’s wife during a perilous childbirth. His selfless actions save both mother and child, which leads to his release from custody and allows him to escape his past—thanks to the goodwill of the Soviet officer who obscures evidence of his affiliation with the Nazis.

While Kurt is exploring his burgeoning artistic aspirations at the Dresden Academy of Fine Arts, he encounters Ellie, a talented fashion design student who bears a striking resemblance to his aunt. The two share an unacknowledged familial bond, mirrored by the unspoken tensions in their relationship. As Kurt hones his painting skills, he is compelled to create works that align with the rigid expectations of socialist realism, a philosophy that clashes with his artistic integrity.

In the shadows, Ellie’s father, Professor Seeband, fabricates lies and undermines their growing connection out of his insecurities regarding Kurt as a suitable partner for his daughter. His manipulative tactics hit a new low when he orchestrates an abortion under false pretenses, trying to sever the bond between Kurt and Ellie. However, their love endures, culminating in a marriage that defies Seeband’s oppressive influence.

As tensions rise, Seeband escapes from East Germany to West Germany, fearful of repercussions after the reassigning of the Russian officer who had shielded him. Kurt and Ellie eventually follow, aiming for a new beginning in the West.

Upon settling into West Germany, Kurt confronts the stark realities of defining his creative identity at the prestigious Düsseldorf Art Academy. There, he finds himself among artists who prioritize innovation and experimentation. His mentor, Professor Antonius van Verten, acknowledges the richness of Kurt’s experiences but observes his struggle to identify his unique voice amid the pressure of the academy’s evolving standards, having previously been trained in traditional figurative painting, regarded as “outdated” by contemporary benchmarks.

Amidst his struggle, Kurt forges a special friendship with Harry Preusser, a fellow student known for his innovative technique of creating large-scale artworks by hammering nails into boards. This unexpected camaraderie becomes a significant source of inspiration for Kurt, as he seeks to carve out his own path in the midst of East Germany’s cultural and political upheaval.

As Kurt’s artistic vision evolves marked by creativity and vigor, a serendipitous encounter sets off a spark of ingenuity. Discovering a newspaper article about a captured Nazi doctor, a superior to Seeband, ignites Kurt’s imagination and pushes him to blur the lines between reality and art. He embarks on an inventive project, using his skills to transpose black-and-white photographs onto canvases, enriched by an elusive sfumato effect. His artistic repertoire draws from Seeband’s passport photos and personal memories with Aunt Elisabeth, unfolding an emotional bouquet directly from Kurt’s family history. When Seeband inadvertently crosses paths with a piece portraying his likeness alongside the captured doctor and a tender moment shared with Elisabeth, a shroud of tension envelops the studio as he abruptly departs, leaving Kurt unaware of their familial ties and the complex motivations swirling beneath.

After years of emotional desolation exacerbated by Ellie’s previous abortion, the revelation of new life emerges as she shares joyous news with Kurt. Ecstatic, he captures her nude form on canvas, celebrating love and life’s cyclical progression. Eventually, his art garners acclaim in its inaugural exhibition, although critics fail to grasp its profound meaning. Within the accolades, Kurt finally recognizes his artistic enlightenment and sense of belonging, relishing in the warmth of creative success.