In this gripping drama, Queens native Herbie Stempel's unlikely victory on "Twenty One" sparks a controversy that exposes the dark underbelly of America's favorite game show. As network pressures bring in a more charismatic contestant, Stempel's outrage boils over, alleging rigged answers and igniting a Congressional investigation that threatens to upend the country's most beloved institution.
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Quiz Show does not have end credit scenes.
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92
Metascore
7.7
User Score
%
TOMATOMETER
0%
User Score
7.5 /10
IMDb Rating
73
%
User Score
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In 1958, the backstage drama of NBC’s acclaimed quiz show Twenty-One unfolds as the questions and answers are secured in a bank vault, transported to the studio for the latest episode. The spotlight shines on reigning champion Herb Stempel, portrayed by John Turturro, who boasts an impressive streak of correct answers. However, as the excitement wanes and Stempel’s popularity plateaus, both the network and its sponsor, the tonic Geritol, decide that fresh talent could reignite viewer interest.
Producers Dan Enright and Albert Freedman are pleasantly surprised when Charles Van Doren, played by Ralph Fiennes, a Columbia University instructor hailing from a distinguished literary lineage, walks into their office wanting to audition. Recognizing his potential to rival Stempel, the producers attempt to manipulate the game by providing Van Doren the answers he previously handled during his auditions. Although he initially refuses their tempting offer, when he is presented with an audition question during a live show, he hesitates but ultimately provides the right answer. Unbeknownst to him, Stempel, facing pressure, deliberately throws an uncomplicated question, disposing of his chance at victory in favor of a promised television career.
In the following days, Van Doren skyrockets to fame, transforming into a national sensation. However, as the pressure mounts, he succumbs to the demands of Enright and Freedman, who start feeding him answers. Meanwhile, Stempel, having lost his prize winnings to a deceitful bookie, contemplates legal repercussions against NBC, prompting him to approach Frank Hogan, the New York County District Attorney. Hogan subsequently initiates a grand jury investigation into the allegations of corruption.
Young Congressional lawyer Richard Goodwin, portrayed by Rob Morrow, learns that the grand jury’s results remain confidential and ventures to New York City to probe persistent rumors regarding rigged quiz shows. Engaging several contestants, including both Stempel and Van Doren, Goodwin starts to piece together the disturbing reality of Twenty-One being a charade. Nevertheless, Stempel’s erratic behavior undermines his credibility, and others are reluctant to support his claims. In a moment of desperation, Stempel confides in Goodwin about the answers he was provided with during his run, pointing fingers at Van Doren as an accomplice. Another contestant further enriches the investigation by presenting Goodwin with answers he had mailed to himself prior to his appearance on the show, further solidifying the case against NBC.
As Van Doren experiences his own moral descent, he opts to lose a significant game, only to be rewarded by NBC with a lucrative contract for a role as a special correspondent on the morning Today show. The House Committee for Legislative Oversight convenes a hearing where Goodwin showcases the evidence of the quiz show’s corrupt nature. Despite Stempel’s testimony, the committee remains unconvinced, with both Robert Kintner, head of NBC, and Martin Rittenhome, a Geritol executive, fervently denying any wrongdoing. Eventually, under the weight of evidence, Van Doren acknowledges his complicity in the deception.
Following the hearing, he is unceremoniously evicted from the Today show and learns he faces a forced resignation from Columbia University. Goodwin, who sensed he was on the brink of exposing Geritol and NBC, comes to a sobering realization as he watches Enright and Freedman protect their own careers by shifting responsibility onto the contestants, preserving the network’s image and continuing the cycle of deceit.
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