Small Things Like These 2024

It is 1985 in the run-up to Christmas in a small town in County Wexford, Ireland. Bill Furlong (Cillian Murphy) toils as a coal merchant to support himself, his wife and his five daughters. Early one morning while out delivering coal at the local convent, he makes a discovery that forces him to confront his past and the complicit silence...

It is 1985 in the run-up to Christmas in a small town in County Wexford, Ireland. Bill Furlong (Cillian Murphy) toils as a coal merchant to support himself, his wife and his five daughters. Early one morning while out delivering coal at the local convent, he makes a discovery that forces him to confront his past and the complicit silence...

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Metacritic

82

Metascore

7.3

User Score

IMDb

7.2 /10

IMDb Rating

TMDB

75

%

User Score

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As the festive season of Christmas 1985 draws near, we are introduced to Bill Furlong, a coal merchant from the quaint Irish town of New Ross, known not only for his hard work but also for his reputation as a fair man. Bill, played by Cillian Murphy, is a devoted father to five daughters, navigating the challenges of parenthood with resilience. Through poignant flashbacks, we journey into Bill’s difficult past, where he recalls his upbringing as the son of a young single mother, who found herself alienated from her family, yet was allowed to work for the affluent and independent landowner, Mrs. Wilson.

One restless night, unable to find solace in sleep, Bill heads out on his delivery route earlier than usual. It is during this fateful night that he stumbles upon a shocking sight—inside the coal shed of the local convent, he discovers a teenage girl named Sarah, who is locked away and exposed to the harsh, freezing temperatures. Revealing that she is just five months away from giving birth, Sarah’s situation ignites Bill’s protective instincts. In a bid to help, he takes her to the convent, where the nuns feign benevolence, pretending to care for her welfare.

In the cozy yet unsettling office of Sister Mary, portrayed by Emily Watson, the convent’s Mother Superior, Sarah feels an undeniable pressure to fabricate a story. She claims, under duress, that other girls had locked her in while they were playing hide-and-seek. After Sarah is escorted away, Sister Mary ominously interrogates Bill about his family’s involvement with the convent, hinting with menacing undertones that his daughters might face repercussions at the school if he dares to speak of what he has seen. With calculated coldness, Sister Mary gifts Bill a cash-filled Christmas card intended for his wife, Eileen, which adds a layer of anxiety to his already troubled heart.

Returning home, Bill faces Eileen, played by Eileen Walsh, who is puzzled by his failure to mention the card. When she eventually receives the sealed envelope, her surprise intensifies when she uncovers the cash, prompting her to question Bill’s earlier intentions, to which he evasively replies that it slipped his mind.

As tensions mount, Bill finds himself in conversation with Mrs. Kehoe, the local pub owner, who warns him to remain silent about the convent’s affairs, stressing that the nuns wield significant power in their community. The following evening, while out shopping for a Christmas gift for Eileen, Bill encounters a cherished item from his childhood, stirring emotions he thought were long buried. This encounter propels him back to the convent, where he once again opens the door to the coal shed, finding Sarah in a state of despair.

Through unwavering courage, Bill gradually earns Sarah’s trust, coaxing her out of fear as he leads her away from the confines of the convent. Defying the stares of neighbors and acquaintances, he carries the ailing girl back to his home, an act of bravery that signifies a turning point in both their lives. After assuring her safety, Bill washes his hands and invites Sarah into the warmth of his family hearth, finally allowing a smile to bloom on his face, signaling that she is now safe from harm.

As the film draws to a close, it leaves a poignant message that resonates deeply with its audience, serving as a heartfelt dedication to the countless women who endured suffering in the Magdalene Laundries, an institutional scourge that persisted from 1922 to 1998.

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