In 1862's Irish Midlands, an enigmatic case unfolds: eleven-year-old Anna O'Donnell remains inexplicably alive despite refusing sustenance for months. English nurse Lib Wright, played by Florence Pugh, arrives to unravel the mystery, only to find herself drawn into a vortex of speculation and suspense as the village is beset by pilgrims seeking miracles or sinister forces at play.
Does The Wonder have end credit scenes?
No!
The Wonder does not have end credit scenes.
Toby Jones
Dr McBrearty
Florence Pugh
Lib Wright
Tom Burke
Will Byrne
Abigail Coburn
Ryan's Daughter
Brían F. O'Byrne
John Flynn
Carla Hurley O'Dwyer
Ryan's Daughter
Ciarán Hinds
Father Thaddeus
Darcey Campion
Ryan's Daughter
David Wilmot
Sean Ryan
Dermot Crowley
Sir Otway
Elaine Cassidy
Rosaleen O'Donnell
Josie Walker
Sister Michael
Juliette Hurley O'Dwyer
Ryan's Daughter
Kíla Lord Cassidy
Anna O'Donnell
Niamh Algar
Kitty O'Donnell
Ruth Bradley
Maggie Ryan
71
Metascore
6.7
User Score
%
TOMATOMETER
0%
User Score
6.6 /10
IMDb Rating
66
%
User Score
What year is the setting of the movie 'The Wonder'?
In 1862, Elizabeth “Lib” Wright (Florence Pugh), an English nurse with experience from the Crimean War, finds herself in a remote Irish village. Her mission is to observe Anna O’Donnell (Kíla Lord Cassidy), a girl whose family claims she has not eaten for the past four months. Lib takes residence at a local tavern run by Sean (David Wilmot) and Maggie Ryan (Ruth Bradley). A committee comprising figures like John Flynn (Brían F. O’Byrne), local doctor Dr McBrearty (Toby Jones), and Sir Otway (Dermot Crowley) has given Lib a two-week period to observe and report her findings on Anna’s miraculous fasting.
Lib is instructed that Anna must not be forcibly fed, nor can her family refuse her food if she requests it. Accompanied by Sister Michael (Josie Walker), both women are expected to submit their independent reports to the local dignitaries. The shadow of the Great Famine still haunts the community, with locals harboring distrust towards the English nurse due to historical grievances.
As Lib immerses herself in Anna’s life, she meets the girl’s deeply devout family, including her mother Rosaleen (Elaine Cassidy), father Malachy, and sister Kitty (Niamh Algar). During a dinner gathering, Lib learns about the tragic death of Anna’s elder brother from an undiagnosed ailment. Conversely, Anna presents herself in good health, claiming that she survives solely on “manna from Heaven.” When Lib suggests transferring Anna to the hospital for care, Rosaleen firmly declines.
Still grappling with the pain of losing her only child, Lib relies on laudanum to find solace as she navigates her grief. Her relationship with William Byrne (Tom Burke), a local journalist whose family suffered during the famine, evolves into something more intimate. William, skeptical of Anna’s fasting, believes it’s a ruse and writes for the Daily Telegraph. Throughout her observations, Lib sees no signs of deception initially, as Anna is frequently engaged in prayer, fervently discussing the fate of the damned.
As Lib meticulously observes, she notices Rosaleen kissing Anna goodnight, a gesture that raises her suspicions. She theorizes that chewed food is stealthily passed to Anna, prompting her to disallow any physical contact from the family. William warns Lib that her actions may jeopardize Anna’s life; if the family confesses to feeding her, they’ll face severe repercussions.
Anna, when confronted, indicates that her “manna” is a divine provision and reveals the true reason behind her fast: the torment inflicted upon her by her deceased brother, which she believes led to his death. She has convinced herself that enduring this sacrifice could liberate him from eternal damnation. Separated from her family’s nurturing touch, Anna’s health deteriorates sharply.
Desperate to save Anna, Lib implores Dr McBrearty to end the observation and compel Anna to eat. He suggests that perhaps Anna has developed an extraordinary ability to convert sunlight into sustenance. Meanwhile, William’s reporting places blame on Anna’s family and the community for her plight.
Lib brings her findings to the council, asserting that Anna is being covertly fed, but they refuse to accept this evidence. Sister Michael contradicts Lib, claiming she observed no signs of Rosaleen’s interference. When the council questions Anna, she stands firm in her belief that she is solely sustained by “manna from Heaven.” Knowing that without intervention, Anna will likely perish, Lib pleads with the family to take action or at least for Rosaleen to restore the kisses that Anna so desperately needs. However, Rosaleen remains steadfast in her belief that Anna’s sacred death will grant her children a place in heaven.
Desperate, Lib persuades William to aid her in a plan to save Anna. While Anna’s family attends mass, Lib secretly relocates Anna, now gravely weak, to a sacred Clootie well. She assures Anna that even if “Anna” perishes, she will be reborn as “Nan.” A moment of stillness ensues as Anna appears to slip away, only to awaken revitalized enough for Lib to feed her.
In a dramatic turn, Lib returns to the O’Donnell home alone and sets it ablaze, ensuring her laudanum bottle is also destroyed. She later informs the council that Anna succumbed to natural causes and the fire was merely an accident. The committee reacts with dismay, realizing they’ve lost a potential saint. Fearing for their own culpability and lacking a body to serve as evidence, they terminate Lib’s employment without compensation.
After the incident, Sister Michael, who left mass early, shares that she glimpsed a vision of Anna riding away with an angel. She implores Lib to affirm that Anna has indeed ascended to a better realm.
Eventually, in Dublin, Lib reconnects with William and the newly revived Anna, who has now taken on the name “Nan.” The trio adopts the façade of the Cheshire family as they set sail for Sydney, embarking on a new chapter of their lives.
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