Stone 2010

Young mother Madylyn Mabry puts her daughter to bed while her husband Jack watches a ball game on television. As a bee buzzes around the window, she stays with her girl. After the child is asleep, Madylyn goes downstairs and announces her intention to leave, stating, > “You keep my soul in a dungeon.” Jack briefly disconnects from the game, rushing upstairs to hold their daughter out the window, threatening to drop her if Madylyn leaves. He bellows, > “Do you think I won’t? Do you think I won’t?” Faced with this extreme act, Madylyn agrees to stay.

Years later, Jack Mabry (Robert De Niro) and Madylyn (Frances Conroy) return home from church for a quiet afternoon. Jack resumes his habitual routine—watching TV and drinking, mirroring his younger self, while Madylyn engages in solving a puzzle. Their peaceful evening is shattered late at night when a call awakens them. Jack answers, distressed, and asks, > “Betsy?” The next day, he finds himself at his brother Bobby’s funeral, grappling with his emotions.

As a parole officer at a prison, Jack drives in while listening to Christian radio. During his interactions with different inmates, a persistent buzzing suggests the many pressures on his mind. In the warden’s office, Jack is asked to prepare his replacement, Janice, for his upcoming retirement. Jack, while sympathetic to the occasion, insists on keeping all of his current cases until he leaves. Among them is a new inmate named Gerald Creeson (Edward Norton), who prefers to be called Stone. As Jack examines his file, Stone straightforwardly requests help in securing an early release and displays frustration when Jack insists on discussing his crimes instead.

As tensions rise, Jack forcefully demands, > “sit the fuck down.” He attempts to establish a rapport, asserting that while they’re not friends, they should act as if they are to facilitate the conversation leading to mutual benefit. Stone describes his wife Lucetta (Milla Jovovich) in a way Jack finds offensive—referring to her as an “alien” and a “dime.” Stone graphically illustrates her wild sexuality and urges Jack to “watch out” because their conversation may spark unwanted thoughts. The clash of their worlds becomes apparent as each tries to pry into the other’s life.

That night, Jack shares drinks with Madylyn while listening to a Christian radio program about predestination. She tries to engage him in conversation, but he seems lost in his thoughts, unresponsive to her inquiries. Following another meeting with Stone, Jack learns more about him and the arson incident he was involved in—a crime that led to the deaths of his grandparents.

Meanwhile, Lucetta is shown working with preschoolers, emphasizing her brightness and warmth, a stark contrast to Stone’s troubling past. As Jack and Madylyn navigate their lives, Lucetta attempts to keep contact with Jack, eventually leading to lunch discussions filled with underlying tension; they slowly expose themselves to one another’s vulnerabilities and needs.

In a significant twist, it becomes clear that Jack’s life is spiraling out of control while trying to manage the dualities of love, betrayal, and moral dilemmas that arise from his interactions with Stone and Lucetta. Jack’s unease grows when he discovers his wife has been preoccupied by her own demons.

Jack’s penultimate conversation with Stone delves into spirituality and morality, revealing deeper philosophical discussions on misconceptions about guilt and redemption, moving the story into darker, unpredictable territories. The interactions between these characters crescendo into a drastic exit for Jack, who, engulfed in turmoil and betrayal, goes to confront Stone about ruining his life.

As the climax of the narrative approaches, it’s clear that Jack’s past decisions have potential repercussions, culminating in a haunting fire that symbolizes destruction, loss, and rebirth. Faced with a downward spiral, Jack undergoes a metamorphosis, evoking questions of faith, morality, and the essence of human relationships in the aftermath of unimaginable chaos.

The closing moments come with an echo of decisions that echo back on Jack and Madylyn. Their lives have become intertwined with Stone and Lucetta’s actions, urging Jack to confront the core of his existence as he unravels the complexities surrounding love, hate, life, and death, gradually leading him to a crossroads that must fundamentally change who he is.