
Producer Sam Raimi brings this relentless horror-thriller, where luxury becomes a deadly trap. After breaking into a luxury SUV, Eddie finds himself the target of William, a vigilante who delivers his own brand of twisted justice. Eddie must fight to survive as he realizes escape is an illusion and the situation spirals into a terrifying nightmare.
Does Locked have end credit scenes?
No!
Locked does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Locked, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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See how Locked is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Locked stands among top-rated movies in its genre.
Locked presents a modest thriller with competent production but inconsistent depth. Critics and users note that the taut direction and focused premise maintain tension, while the familiar concept and superficial themes limit engagement. Performances by Skarsgård and Hopkins receive acknowledgment for their solidity, though emotional resonance is uneven. The screenplay’s reliance on a confined setting succeeds in creating immediacy but fails to develop meaningful character arcs. Overall, Locked delivers a passable genre experience without achieving lasting impact.
The Movie Echo Score Breakdown for Locked
Art & Craft
In terms of art and craft, Locked benefits from taut direction and efficient visual execution. Critics and viewers note the film’s use of controlled lighting and precise editing to amplify claustrophobia within the SUV setting. The production design and cinematography employ a restrained color palette and tight framing to sustain tension. These elements combine to deliver a polished technical package, even if it rarely ventures beyond genre conventions.
Character & Emotion
When it comes to character and emotion, Locked features sturdy performances but uneven depth. Bill Skarsgård anchors the narrative with precise physicality and palpable distress, while Anthony Hopkins’ vocal presence adds gravitas. Several critiques highlight that interactions lack emotional nuance and script choices leave relationships underexplored. The result is a solid acting showcase constrained by limited character development and superficial emotional stakes.
Story & Flow
In terms of story and flow, Locked relies on a familiar premise that undermines originality. Reviews indicate that initial suspense dissipates as the narrative repeats conventional beats without substantive thematic exploration. Pacing remains generally brisk, yet plot developments feel predictable and dialogue-driven moments lack depth. Ultimately, the film’s structure sustains basic engagement but fails to offer novel twists or meaningful story progression.
Sensory Experience
When evaluating sensory experience, Locked delivers a cohesive audiovisual style without standout elements. The restrained score and ambient sound design bolster a tense atmosphere, while editing choices and visual composition emphasize claustrophobia. Several assessments commend the film’s consistency in maintaining mood through controlled camera movements and color grading. However, the soundtrack and sound effects remain functional rather than memorable, yielding an effective but unspectacular sensory presentation.
Rewatch Factor
In terms of rewatch factor, Locked offers limited incentive for repeat viewings. The film’s central premise unfolds fully in a single sitting, leaving few undiscovered details or layers to revisit. While the tight editing and focused tension maintain interest initially, the superficial thematic treatment and predictable narrative diminish lasting appeal. Consequently, the movie provides a one-time engaging experience but lacks substantial depth or variation to reward subsequent viewings.
45
Metascore
4.7
User Score
63%
TOMATOMETER
73%
User Score
/10
IMDb Rating
62
%
User Score
2.6
From 15 fan ratings
Challenge your knowledge of Locked with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of Eddie Barrish's daughter?
Emily
Sarah
Lila
Mia
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Read the complete plot summary of Locked, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
Eddie Barrish Eddie Barrish is a jobless former small-time criminal trying to keep a roof over his head for his daughter Sarah Barrish. With money tight and desperation growing, he scavenges for unattended cars to steal, hoping to scrape by another week. The day starts like many others, until he spots an unlocked Dolus luxury SUV and slips inside to snatch valuables. The moment the door seals behind him, the vehicle locks itself, trapping him in a sleek, silent capsule inching toward a nightmare he never anticipated. What begins as a routine grab-and-go quickly spirals into a claustrophobic ordeal as he fights to break free, only to discover the car’s interior is designed for something far more insidious than a simple robbery. In the chaos, he slices his arm while trying to wrench the door open, the sting of metal and darkness closing in around him.
Exhausted and with few options, Eddie answers a call that appears on the car’s screen. The caller is William William, the car’s owner, who watches Eddie through the interior cameras with cold, calm detachment. What unfolds is a chilling revelation: after six prior break-ins, William had the Dolus customized into an elaborate trap, a perilous game designed to deliver his own brand of justice. He demonstrates the setup by shocking Eddie with hidden tasers embedded in the seats, a cruel reminder that the car is no ordinary vehicle, but a meticulously engineered prison. Eddie fires at the bulletproof glass in a desperate bid for escape, but the shot rebounds, tearing into his leg and reminding him that the outside world is a distant memory while the car is a sealed chamber. The surroundings are so soundproof and tinted that no passerby would notice a thing, leaving him truly alone with his tormentor.
William is not merely a captor; he is a patient, methodical antagonist who spares few emotions. He reveals he is a wealthy doctor with a terminal cancer diagnosis and a relentless conviction that some crimes deserve punishment beyond conventional law. The conversation drags on into the night, and Eddie, battered and deprived of sleep, drifts in and out of consciousness. When he wakes, his injuries have been treated, but the psychological strain remains. The next day, William expands his moral calculus, speaking at length about his own daughter Emma Emma and detailing how this personal tragedy shaped his decision to mete out a private form of justice. He subjects Eddie to waves of shocks, freezing blasts of air, and a cruel soundtrack of yodeling that gnaws at his nerves. By nightfall, Eddie’s ire turns to apology as he mutters an expletive, and William relents enough to communicate from the balcony of his nearby condo. With a grim candor, the doctor explains that his punishment will continue until Eddie proves that breaking into the Dolus was not his first offense—and that the penalty will escalate from discomfort to heat.
Hunger and dehydration gnaw at Eddie as he yields his personal information, hoping to calm the storm long enough to survive. William dials down the heat, offers water from a bottle, and, in a rare moment of mercy, flaunts a small victory for Eddie: a lottery ticket hidden within reach. Eddie scratches at his last symbol of hope and discovers he has won enough money to change his fortunes. A momentary sense of relief washes over him, and he sobers long enough to utter a sincere apology. William, in a peculiar display of generosity, rewards him with a cookie tucked away in the glovebox, a bizarre consolation prize that underscores how perverse and intimate this game has become. Eddie quickly realizes the car’s electric system beneath the glovebox is a potential lifeline, and he begins probing for loose circuits with his foot, testing the boundaries of what the Dolus can and cannot reveal.
The day after, Eddie’s condition deteriorates into delirium, and he resorts to drinking his own urine to survive. The car, seemingly alive and watching, takes on a malevolent sentience as William reveals that he has been piloting the Dolus remotely, controlling the SUV’s course and maneuvers while Eddie’s will fights a losing battle. The car accelerates through the city, and Eddie’s pleas grow increasingly desperate as William uses the vehicle to cut a brutal swath, even crushing a pair of mugging assailants in a chilling display of power. The ride ends abruptly as a sudden stop renders Eddie unconscious, a stark reminder that in this arena, there are no safe outcomes—only survival.
When Eddie regains consciousness the next day, he learns that William has tracked down Sarah, intent on bringing his punishment to her doorstep. The danger tightens around him as he watches William threaten to run Sarah Barrish over on her way home from school. Eddie, pushed to the brink, fumbles for courage and pulls the trigger on a gun that turns out to be unloaded, delivering a hollow moment of relief for his daughter but also sealing a harsher fate for him. In a fury of desperation, Eddie smashes the car’s cameras and dashboard display and records a final message to his daughter, a fragile vow that he will not abandon her.
William arrives to complete the punishment, forcing Eddie to cuff himself and reloading the gun. He offers Eddie one last smoking respite—a joint—before they leave the city to enact a grim finale. William admits that Emma’s death during a street robbery fuels his decision to pursue this twisted justice, a personal crucible that he cannot abandon. Eddie’s grip on his own fate tightens as he finds a way to disconnect the car’s power, a risky gambit that could either free him or doom them both. The SUV tears toward a fatal plunge off a highway bend, and when a gun goes off in the chaos, William is shot and the car begins to tilt toward disaster.
Eddie breaks free in the ensuing struggle and lunges at William just as a call from Sarah Barrish — his daughter — comes through the car’s speakers. He promises to pick her up and, with William momentarily distracted, pleads for the vehicle to unlock so they can escape. The car’s power slips away, and the SUV careens off the road, catching fire as the final, deadly moment plays out. William dies before he can respond to the request, sealing Eddie’s fate in a blaze of heat and metal. A passing driver finally pulls Eddie from the wreck, bringing him back to the world of the living. He returns to the auto shop with the lottery winnings, but with repairs unavailable in time, he makes a practical choice: he buys a bicycle and rides it to meet his daughter, determined to repair the bond that nearly burned away in the darkness of the Dolus.
In the end, the story leaves us with a stark portrait of a father’s struggle to protect his child in a world where justice has become a game with deadly stakes. The bond between Eddie Barrish and his daughter remains the only light in a corridor of high-tech danger and moral ambiguity, a reminder that every choice—however small—can tilt the scales toward hope or catastrophe. And as he pedals to the school gates, a simple, stubborn truth returns: family, not fear, is what keeps him moving forward.
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