Melancholia 2011

The film opens with a striking eight-minute sequence, introducing the key characters and presenting captivating images of space, intertwined with significant visual motifs. These nearly still, slow-motion visuals provide a glimpse into the film’s themes: Justine, portrayed by Kirsten Dunst, the bride enveloped in profound melancholy as birds fall around her; a serene lawn with a sundial casting unequal shadows; Pieter Breughel’s Hunters in the Snow, often seen as a reflection of idealized nostalgia; the ominous depiction of the Black Horse collapsing in slow motion, representing an id/ego struggle; Justine as a bride being swept away by a river, while her wedding dress attempts to anchor her down; and finally, Justine with her nephew, crafting their magical cave as planet Earth faces its inevitable collision with the gas giant Melancholia.

The narrative unfolds in two distinct parts.

Part One: “Justine” reveals what appears to be an idyllic wedding that starkly contrasts against Justine’s fragile psyche. The act begins with a clumsy, oversized wedding vehicle that struggles to make a turn on the road. Justine, along with her husband Michael, played by Alexander Skarsgård, arrives two hours late to their own reception at the expansive family estate of Justine’s older sister, Claire, portrayed by Charlotte Gainsbourg, and her husband John, played by Kiefer Sutherland. Amidst the twilight, Justine notices a particularly bright red star, which John later identifies as Antares.

As the day transitions into night, it becomes increasingly clear that each character embodies a metaphor. These metaphors evolve throughout the wedding reception. John symbolizes sacrifice and societal expectations, while Dexter, played by John Hurt, is a hedonistic figure unable to form a genuine connection with Justine. Justine’s mother, Gaby, embodied by Charlotte Rampling, is depicted as brutally honest but ultimately detrimental, leading to her dismissal from the wedding. Claire, who symbolizes order, pressures Justine to suppress her debilitating sadness from her oblivious and well-meaning husband, Michael; a sentiment further emphasized by his uninspired wedding speech. Jack, played by Stellan Skarsgård, Justine’s boss, represents mercenary greed, aggressively pushing her to endorse an empty marketing campaign inspired by Breughel’s The Land of Cockaigne.

During the wedding’s pivotal moment of cake cutting, Justine and her mother retreat to separate bathrooms to cleanse themselves of the artificiality surrounding them. Justine’s further escape leads her to watch Melancholia approach Earth as she squats and urinated on the 18th hole, symbolizing her defiance against societal norms. While her boss’s nephew, Tim, portrayed by Brady Corbet, seeks to capitalize on the moment for career advancement, Justine recognizes her complicity and resigns with a fierce determination. Unable to consummate her marriage, she finds solace with Tim in a moment of shared ambition and later declines his offer to partner in a business venture.

As dawn breaks, Justine reluctantly accompanies Claire on a horseback ride only to realize that the bright red star has vanished.

Part Two: “Claire” continues to explore Justine’s connection with her sister while delving deeper into her emotional unraveling as the looming threat of Melancholia becomes evident. Several months later, John excitedly explains that the absence of Antares is due to Melancholia obstructing it from view, as the rogue planet approaches Earth. Claire, filled with dread, desperately searches for answers, soon discovering the planet’s potential trajectory towards Earth.

Justine, now hollow and emotionally drained, welcomes Claire into her space, hoping to provide comfort. Sadly, Claire soon finds herself helpless against Justine’s profound depression, as the delicious dish prepared specially for her tastes like ash to Justine. As their relationship becomes strained, the symbolic connection to the Black Horse wanes, paralleling Justine’s descent into despair.

The impending collision triggers fear in Claire, despite her husband’s reassurances of safety. Justine confidently asserts her ability to foresee events, including the devastating crash of Melancholia with Earth, revealing her belief that life itself is inherently evil. As the certainty of the world’s demise looms closer, the family butler mysteriously vanishes. On the fateful night of Melancholia’s fly-by, uncertainty grows within the household, leading John to a tragic decision in the Black Horse stables.

While chaos ensues, Claire pleads for a moment of normalcy, suggesting they gather on the terrace with wine and music, only to be dismissed by a resolute Justine. As Claire wrestles with panic, Justine reassures her frightened nephew by promising the safety of a magical cave, though earlier, she had expressed her hopelessness in finding refuge.

In the climactic moments, the three gather in their magic cave as the world faces its beautiful yet catastrophic end, with Justine embodying a sense of calm acceptance in her shared fate with Melancholia.