In this gritty drama, Bigger "Big" Thomas navigates the harsh realities of being a young African American man in Chicago. With a rebellious streak and a penchant for self-determination, Big must confront the consequences of his choices when an accidental death sets him on a collision course with the powerful social forces that threaten to destroy everything he holds dear.
Does Native Son have end credit scenes?
No!
Native Son does not have end credit scenes.
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63
Metascore
5.5
User Score
%
TOMATOMETER
0%
User Score
5.7 /10
IMDb Rating
55
%
User Score
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Who is the main character in Native Son?
Get the full story of Native Son with a detailed plot summary. Dive into its themes, characters, and the twists that make it a must-watch.
Bigger Thomas, portrayed by Ashton Sanders, is a young African-American man navigating life with his family in contemporary Chicago. His life takes a pivotal turn when he receives an invitation for an interview to become the live-in chauffeur for the affluent businessman, Mr. Dalton, played by Bill Camp. Meanwhile, his friend Gus wants him to join in a robbery, but Bigger’s girlfriend, Bessie, encourages him to pursue the job opportunity.
The interview goes remarkably well, leading Bigger to meet Mrs. Dalton and Mary, the radical daughter of Mr. Dalton. Later that evening, Bigger drives Mary to a political rally featuring her boyfriend, Jan. After the event, the trio - Bigger, Jan, and Mary - visit a local club where they bond over their shared experiences, causing tension between Bigger and Gus, especially after Bigger skips out on the robbery plan.
As romance blooms, Bigger receives a lavish gift from Mary, an album he desired, alongside the drugs for a party they’re attending. However, the night spirals out of control; Mary, under the influence of the drugs, is discovered half-dressed and vulnerable. Concerned that the chaos might jeopardize his employment, Bigger attempts to help her, but during the struggle, > “in a tragic turn of events, he accidentally smothers Mary to death.” Panicking, he disposes of her body in the furnace room.
The following day brings dread as detectives, Calhoun and Rogers, interrogate Bigger about the missing Mary. Initially, Jan is suspected; however, when a piece of Mary’s jewelry is discovered in the furnace, Bigger finds himself on the run. The police launch a manhunt, prompting Bigger to hide out while grappling with the weight of his actions.
In a fateful encounter with Jan, who urges him to surrender, Bigger remains resolute, knowing the systemic prejudice of the justice system may thwart any chance of fair treatment. Despite Bessie’s pleas for him to confess, Bigger persuades her to join him in flight to escape their harsh realities. They find refuge in an abandoned building, where their relationship faces turmoil.
As the tension escalates, an argument leads to Bigger’s confessional moment about Mary’s death. This revelation drives Bessie to flee in terror, making Bigger’s plight even more desperate. The police, alerted to his location, confront him. Tragically, in a misunderstanding, they believe he is armed when he reaches for his pockets, resulting in his untimely death. The narrative poignantly explores themes of systemic racial injustice, identity, and the human condition.
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