Directed by
Pablo Larraín
Made by
Neon
England, on Christmas Eve 1991, the British royal family is gearing up to celebrate the holiday season at the Queen’s Sandringham estate nestled in the picturesque countryside of Norfolk. Among the royal attendees is Diana Spencer, the Princess of Wales, portrayed by Kristen Stewart. Her marriage to Prince Charles, played by Jack Farthing, has significantly deteriorated due to his ongoing affair with Camilla Parker Bowles. As the extensive staff at Sandringham, under the skilled guidance of Timothy Spall as Major Alistair Gregory, prepare for the royal family’s arrival, Diana takes to the Norfolk countryside in her convertible sports car, grappling with the impending pressure and turmoil that approaches.
On the brink of a mental collapse, Diana delays her arrival at Sandringham, crossing paths with Royal Head Chef Darren McGrady, portrayed by Sean Harris. During their encounter, she reflects on the long-abandoned estate of Park House, once her cherished childhood home. As her nostalgic feelings rise, she dashes towards a scarecrow, a wistful symbol of her past, unearthing an old jacket that once belonged to her father, John Spencer, the 8th Earl Spencer.
Upon reaching Sandringham, she is warmly welcomed by her sons, William and Harry, but she struggles to connect with the rest of the royal family, who largely overlook her presence. Her closest confidante at the estate is Sally Hawkins, who plays the pivotal role of Maggie, the Royal Dresser. Maggie continually encourages Diana to stand up against the royal family’s expectations and navigate her royal duties. During her stay, Diana stumbles upon a book about Anne Boleyn in her bedroom, which sparks a series of haunting dreams featuring Boleyn, including a vivid hallucination of her at a Christmas dinner. In this vision, Diana imagines herself destroying a pearl necklace gifted by Charles and consuming the pearls in her soup, revealing her desire for freedom from her own royal constraints.
On Christmas Day, while attending the service at St. Mary Magdalene Church, Diana spots Camilla among the attendees, provoking a frantic media frenzy as journalists capture her every move. Afterward, she has a tense discussion with Charles about their sons’ involvement in a pheasant shoot the following day, only to find him dismissive of her concerns and advising her to maintain a clear distinction between her private and public personas. In a private moment of deception, Charles orchestrates to send Maggie away to London while spreading unfounded rumors that she is the one responsible for placing the Boleyn book in Diana’s room and questioning her mental state. However, McGrady clarifies to Diana that Maggie had nothing to do with it.
Struggling with her own reality, Major Gregory attempts to compel Diana to adapt to royal norms, stating that the duty of British soldiers is to protect the Crown’s interests—interests that encompass her own. Diana, unwavering, counters his suggestion by declaring that she never requested anyone to sacrifice their life for her benefit. In a moment of despair, she imagines self-harm with wire-cutters gifted from McGrady, ultimately avoiding the formal Christmas dinner and instead escaping to her childhood home with the cutters in hand. Overwhelmed by nostalgic memories, she dances through the halls of her former abode, recalling her joyful childhood. Contemplating a drastic measure, she is briefly halted by the apparition of Boleyn, leading her to instead shred her pearl necklace in a moment of defiance.
On Boxing Day, Diana wakes to discover that Maggie has returned from London, and together they visit a nearby beach where Diana shares her struggles regarding her mental health and her marriage. In a heartfelt conversation, Maggie confesses her love for Diana, a sentiment that Diana kindly rebuffs. After parting ways, Diana confronts the reality of the pheasant shoot and boldly steps in front of the hunters to announce her intention to take William and Harry back to London, a proposition that Charles begrudgingly approves. As they embark on their journey, Diana engages in a lighthearted moment with her children, singing along to “All I Need Is a Miracle” by Mike & the Mechanics as they pass the scarecrow once more, now humorously adorned in one of Diana’s outfits. They head to London, stopping for some Kentucky Fried Chicken, and enjoy their meal beside the River Thames. The film closes with Diana gazing across the river, filled with uncertainty about her future, yet liberated from the weight of royal expectations.
Christmas Eve Arrival
On Christmas Eve 1991, the British royal family prepares for the holiday at the Queen's Sandringham estate. Among the guests is Diana Spencer, the Princess of Wales, who is feeling the strain of her deteriorating marriage to Prince Charles amidst his ongoing affair.
Diana's Turmoil
As the staff arranges for the royal family's arrival, Diana grapples with mental stress and delays her entrance. She takes a reflective drive through the Norfolk countryside, overwhelmed by her circumstances and seeking solace.
Nostalgic Encounter
Diana meets Royal Head Chef Darren McGrady and reminisces about Park House, her childhood home. This encounter leads her to find an old jacket belonging to her father, stirring deep-seated memories.
Arrival at Sandringham
Diana arrives at Sandringham and receives a warm greeting from her sons, William and Harry. However, she struggles to connect with the rest of the royal family, who largely ignore her presence.
Support from Maggie
Maggie, Diana's Royal Dresser and confidante, encourages her to confront the expectations of royal life. Their bond provides Diana with the strength to navigate the complexities of her situation.
Haunting Dreams
While at Sandringham, Diana discovers a book about Anne Boleyn in her bedroom, triggering vivid dreams of Boleyn. These dreams reflect Diana's feelings of entrapment within her own royal duties.
Christmas Day Service
On Christmas Day, Diana attends a service at St. Mary Magdalene Church. The atmosphere is tense when she spots Camilla among the attendees, which ignites a frenzy of media attention.
Tension with Charles
After the service, Diana confronts Charles about their sons participating in a pheasant shoot. His dismissive attitude only heightens Diana's frustration as he advises her to keep her private and public lives separate.
Deception and Isolation
In a private scheme, Charles falsely discredits Maggie, suggesting she planted the Boleyn book in Diana's room. Major Gregory continues to pressure Diana to conform to royal expectations, further isolating her.
Moment of Despair
Overwhelmed by her reality, Diana contemplates self-harm but ultimately decides against it. Instead, she escapes the formal Christmas dinner, heading toward her childhood memories.
Dancing in Nostalgia
At her childhood home, Diana finds fleeting joy as she dances through the halls recalling her past. This bittersweet moment leads her to defiantly shred her pearl necklace, symbolizing her desire for freedom.
Boxing Day Talks
The day after Christmas, Maggie returns from London and shares heartfelt conversations with Diana. They discuss her struggles with mental health and her marriage, deepening their emotional connection.
Confrontation at the Shoot
Diana boldly confronts the reality of the pheasant shoot, expressing her determination to take William and Harry back to London. Charles reluctantly agrees, showcasing Diana's growing assertiveness.
Journey to London
As they leave for London, Diana shares a lighthearted moment with her sons, singing along to a song. They pass the scarecrow, humorously dressed in one of Diana’s outfits, symbolizing her journey to reclaim her sense of self.
New Beginnings
The film concludes with Diana contemplating her uncertain future as she gazes across the River Thames. Despite the challenges ahead, she feels a newfound sense of liberation from royal constraints.
Diana Spencer
Portrayed by Kristen Stewart, Diana is a complex character grappling with her identity and mental health within the confines of royal life. Her struggles are palpable as she attempts to reconcile her public persona with her inner turmoil. Diana's fierce independence and desire for freedom from royal expectations drive much of the emotional weight of the narrative.
Maggie
Played by Sally Hawkins, Maggie serves as Diana's confidante and supportive ally. She encourages Diana to assert herself against royal norms, representing a sense of camaraderie and authenticity. Maggie's love for Diana showcases the depth of their friendship, highlighting themes of loyalty amidst adversities.
Prince Charles
Jack Farthing's portrayal of Prince Charles reflects the complexities of his character, balancing royal duty with marital challenges. His dismissive attitude towards Diana's concerns amplifies her feelings of isolation, embodying the pressures of royal life and the conflicts in their marriage.
Major Alistair Gregory
Timothy Spall plays Major Alistair Gregory, who represents the voice of royal tradition and expectations. His insistence on Diana conforming to royal norms creates tension, as Diana strives to assert her individuality. Gregory embodies the struggle between duty and personal freedom.
Time period
Christmas Eve 1991
The year 1991 was marked by significant changes within the British royal family, with ongoing public scrutiny and personal turmoil affecting their image. It was during this time that Princess Diana was experiencing a profound identity crisis amid her crumbling marriage to Prince Charles. Christmas, traditionally a time for family gatherings, becomes a poignant backdrop for the exploration of Diana's struggles and desires for independence.
Location
Sandringham, Norfolk, Park House, St. Mary Magdalene Church, River Thames
Sandringham is the Queen's estate located in Norfolk, renowned for its sprawling grounds and royal history. The Norfolk countryside provides a picturesque backdrop, symbolizing both beauty and confinement for Diana. Park House, once her cherished childhood home, evokes nostalgia and warmth, contrasting with the pressures of royal life. St. Mary Magdalene Church serves as a setting for public duties and challenges, while the River Thames symbolizes both a sense of freedom and uncertainty as Diana reflects on her future.
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Confinement
The theme of confinement pervades Diana's experience, both physically within the royal estate and mentally within her marriage. She grapples with the expectations placed upon her, feeling increasingly trapped by royal duties and public scrutiny. The symbol of the scarecrow represents her longing for liberation and a return to her authentic self.
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Royal Expectations
The film delves into the theme of royal expectations and duty, as Diana battles with the pressures to conform to the royal image. Encounters with figures like Major Alistair Gregory and her discussions with Prince Charles highlight the tension between personal desires and obligations to the crown. This theme underscores her emotional struggles and quest for individuality.
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Friendship
Friendship is paramount in Diana's journey, particularly her bond with Maggie, the Royal Dresser. Their interactions provide Diana with solace and support amidst her isolation. Despite the stresses and challenges, their connection highlights the importance of loyalty and understanding in times of personal crisis.
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