
In 1983, a string of increasingly violent bank robberies, counterfeiting operations, and armored car heists terrorized communities across the Pacific Northwest. As law enforcement struggled to understand the crimes, a lone FBI agent in the quiet town of Coeur d’Alene, Idaho, began to suspect a connection between the events.
Does The Order have end credit scenes?
No!
The Order does not have end credit scenes. You can leave when the credits roll.
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The Order excels as a tense, visually commanding thriller, though occasional pacing inconsistencies and thematic underdevelopment temper its impact. In terms of direction and art design, the film maintains a sustained drumbeat of tension through taut camera work and precise editing. Reviews highlight dynamic cinematography, a gripping score, and visceral performances by Jude Law and Nicholas Hoult. While the narrative occasionally veers into protracted sequences and lacks deeper exploration of its political themes, the film’s atmospheric intensity and lead portrayals leave a compelling impression in spite of its unevenness.
The Movie Echo Score Breakdown for The Order
Art & Craft
In terms of art and craft, The Order delivers assured direction paired with striking cinematography that evokes 1970s thrillers. Reviewers praise Adam Arkapaw’s dynamic camera work and Jed Kurzel’s precise production design, which anchor the film’s austere visual tone. Occasional tonal heaviness emerges, but the film’s disciplined visual style consistently reinforces its suspenseful atmosphere.
Character & Emotion
Character & Emotion: The Order features commanding lead performances that anchor the drama with emotional weight. Critics highlight Jude Law’s nuanced portrayal of a world-weary agent and Nicholas Hoult’s chilling depiction of a supremacist leader, each offering distinct energy. Despite occasional notes of underdeveloped character arcs, the film sustains emotional engagement through its intense portrayals.
Story & Flow
Story & Flow: The Order sustains tension with a focused plot that explores extremist threats, but its pacing can feel uneven at times. Reviewers note a compelling thematic urgency rooted in real events and a tense build-up of conflict, even as the finale draws out longer than necessary. Overall, the storyline engages through its topical premise despite occasional lapses in momentum.
Sensory Experience
Sensory Experience: The Order envelops viewers in a pervasive atmosphere through its moaning wind and pulsing score, complemented by meticulous sound design. Reviewers emphasize Jed Kurzel’s eerie soundtrack and crisp audio mixing that heighten suspense, while the film’s restrained color palette and textured soundscapes reinforce its brooding mood. The sensory elements combine effectively to immerse the audience in the thriller’s tension.
Rewatch Factor
Rewatch Factor: The Order offers compelling atmosphere and strong performances that merit subsequent viewings, though its heavy tone may limit repeat appeal for some audiences. Reviews note that the film’s disciplined tension and period detail reveal additional subtle textures on re-examination, while the thematic focus on extremism retains relevance. Overall, its immersive qualities create a durable, if occasionally somber, rewatch experience.
75
Metascore
6.9
User Score
93%
TOMATOMETER
89%
User Score
/10
IMDb Rating
92
%
User Score
3.5
From 47 fan ratings
1.00/5
From 2 fan ratings
Challenge your knowledge of The Order with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
Who is the veteran FBI agent who reopens the field office in Coeur D'Alene?
Terry Husk
Joanne Carney
Bob Mathews
Alan Berg
Show hint
Read the complete plot summary of The Order, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
In 1983, Bruce Pierce and Gary Yarbrough lure Walter West out into the woods at night under the ruse of a hunting trip, and murder him. A veteran FBI agent, Terry Husk, reopens the long-vacant field office in Coeur d’Alene, Idaho, hoping for an easier caseload after years spent working on major investigations into groups like the Ku Klux Klan and Cosa Nostra, and quietly seeking a chance to reconnect with his estranged wife and daughter. The case quickly broadens beyond a single killing as a separate crime spree unfolds in Spokane: on December 18th, a coordinated robbery targets a Washington Mutual branch led by Bob Mathews along with Pierce, Yarbrough, and David Lane.
Bob Mathews is not just a planner of violence; he is entangled in a personal web that tightens the stakes. He carries on an affair with Zillah Craig, who is pregnant with his child, even though he remains married to Debbie. The personal and political grievances feed a broader project: Bob is building a militia and recruiting resources, including Sam Stinson, a veteran who can procure weapons and offer a steady salary to keep men like him loyal. The operation’s violence is not isolated to one act but part of a growing network that appears to blur lines between ideology and criminal enterprise.
Husk’s investigation leads him to the heart of Aryan Nations and its controversial history, including figures tied to its broader spectrum of influence. He introduces himself to the local sheriff’s department, led by Sheriff Loftlin, and meets Deputy Jamie Bowen, who offers to guide him to the group’s more clandestine corners. Bowen explains that West—now missing for weeks—is connected to Aryan Nations and has hinted at counterfeiting, while she suspects a string of robberies and a recent synagogue bombing may be linked to the same network. The missing person case takes on a sharper edge as Husk and Bowen uncover West’s last known movements and a path that leads toward a sanctuary for extremist beliefs. West’s wife Bonnie Sue provides crucial clues, directing the investigators toward the woods where they uncover a shallow grave containing West’s body, deepening the sense that this is more than a routine missing person case.
As the investigators trace the group’s steps, Butler, the Aryan Nations figurehead, becomes a focal point. [Butler] is confronted in his Hayden Lake compound, where he states that he expelled Pierce and Yarbrough for misusing the group’s printing press to counterfeit money and denies knowledge of their subsequent crimes. Husk presses for accountability, warning that splinter groups threaten to pull the entire movement into chaos if not kept in check. A striking detail appears: a copy of The Turner Diaries sits on display at the compound, a book that later surfaces as a recurring touchstone for the extremists’ worldview and tactics. The discovery links the domestic terror plot to a broader, more dangerous blueprint.
Amid the unfolding tension, a new recruit named Tony Torres is introduced to Mathews—Torres harbors resentments about job loss and immigration that color his perspective, illustrating how personal grievances can feed extremist narratives. The rift between Butler’s strategy—trying to win political influence within the system—and Mathews’ more radical approach—advocating direct, violent action—grows louder as the group’s reach expands. The Turner Diaries becomes a more explicit guide for the group’s rhetoric and plans, fueling a belief in “the time to fight” that pushes individuals toward ever more dangerous acts.
A pivotal moment comes when Yarbrough bombs a porn theater as a distraction for Mathews to lead a bold armored-car heist. Husk rushes to intervene, but he faces an overpowering show of force, while Bowen, overwhelmed by fear or hesitation, falters at a critical moment. The failure to act swiftly under pressure intensifies the FBI’s need to disrupt the cell before it can escalate further. As law enforcement closes in, Mathews begins to see the threat more clearly through the lens of a government crackdown, yet his resolve hardens as the investigation tightens around him. The search intensifies when a gun dropped at the crime scene points investigators toward Tony Torres, who had been trafficking guns for Mathews. Torres cooperates with authorities, providing a key link to Mathews’ operations and leading police to a pivotal confrontation. Husk, eager to act, moves to arrest Mathews without waiting for backup, and a gunfight erupts. Bowen again steps into harm’s way, offering cover fire that allows the team to apprehend Yarbrough, though Mathews escapes in the chaos, shooting and killing Bowen in the process.
Mathews’s wallet surfaces at a meeting point, guiding investigators to Debbie, who reveals the location of Mathews’ hideout. Debbie’s information narrows the hunt to a dangerous stronghold, and Husk learns that Mathews intends to declare war on the federal government from a safe house in Whidbey Island, Washington. Pierce and Lane attempt to flee, but are quickly seized, while Mathews makes a stubborn stand against the FBI’s assault. The tactical team decides to burn the house to force Mathews out, and as the blaze grows, Mathews remains underground until the fiery trap finally explodes. In the end, the operation results in Mathews’ death as the ammunition cache detonates inside the burning house, bringing a violent chapter to a close and leaving a lasting impact on the investigation and the communities affected by these acts.
The threads in this story weave together a portrait of a time when extremist movements intersected with criminal schemes, complicating the pursuit of justice and challenging investigators to confront both ideology and violence with equal resolve. The narrative follows a careful, methodical investigation that exposes how individual loyalties, clandestine networks, and high-stakes criminal operations can intersect in a way that tests even seasoned law enforcement professionals.
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